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  1. Feb 21, 2018 · In August 2015, Pasek and Paul learned they had to start recording a demo in Los Angeles in two days. They boarded a flight from New York and went to work. Paul: We all went to the airport. There ...

  2. I'm 99% sure that Paul and Eli are the same person. Daniel seemed to respect Paul's initial play, which was for $500. When Daniel and H.W. got to the Sunday Ranch and Eli brought wood to them, I expected a different interaction, but Daniel was shook by what transpired. At that point he didn't trust Eli/Daniel, and for good reason.

  3. Benj Pasek and Justin Paul, known together as Pasek and Paul, are an American songwriting duo and composing team for musical theater, films and television. [1] [2] Their works include A Christmas Story, Dogfight, Edges, Dear Evan Hansen, and James and the Giant Peach. Their original songs have been featured on NBC 's Smash and in the films La ...

  4. Nov 29, 2018 · As kids, Pasek and Paul fell in love first with movie musicals. “We both credit the Disney renaissance of the late ’80s and early ’90s as one of the big reasons our generation is so primed to love musicals,” Pasek says. “ ‘The Little Mermaid’ came out when we were 4 years old. It was the first movie I ever saw in a movie theater.

    • Edward Guthmann
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  5. Nov 17, 2017 · November 17, 2017 1:12pm. Twentieth Century Fox. Upon cursory examination of the films taken on by Broadway songwriters Benj Pasek and Justin Paul, a theme emerges. Oscar winners last year for La ...

    • Matt Grobar
  6. ABOUT. Oscar, Grammy, Tony, and Olivier Award-winning songwriters/producers Benj Pasek & Justin Paul are best known for their work on La La Land, Dear Evan Hansen, and The Greatest Showman. Their songs “City of Stars” and “Audition (The Fools Who Dream)” (co-written with Justin Hurwitz) from La La Land were both nominated for the ...

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  8. May 22, 2019 · Ben Pasek and Justin Paul came of age experiencing musicals first and foremost when the fairest lady was Ariel, not Eliza. As Benj has said, "We both credit the Disney renaissance of the late ’80s and early ’90s as one of the big reasons our generation is so primed to love musicals. The Little Mermaid came out when we were four years old.

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