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After Anna's death, Přemek married to Catherine (died: 23 May 1422) of Münsterberg, a sister of John, who was the last Duke of Münsterberg from the Silesian Piasts dynasty. With her, he had three more children: William of Opava (d. 1452), Duke of Opava and Münsterberg; Ernest of Opava (d, 1464), Duke of Opava and Münsterberg
Aug 19, 2016 · Hugo Münsterberg. At the beginning of July, I gave the third keynote speech at “A Hundred Years of Film Theory.Münsterberg and Beyond: Concepts, Applications, Perspectives,” an international conference in Leipzig dedicated to the memory of Hugo Münsterberg, whose The Photoplay: A Psychological Study (1916) is considered one of the first, but not the first book – that honor goes to ...
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After lengthy negotiations, the estates of Münsterberg on 25 April 1443 chose Duke Vilém of Opava as their new ruler. His claims were justified by two reasons. First, he was the son of Přemysl of Opava of the Přemyslid dynasty and Catherine, the sister of Jan of Ziębice († 1428), the last duke of Münsterberg of the Piast dynasty. Second ...
Dec 25, 2023 · Despite reaching millions of moviegoers in 1916, Münsterberg’s ‘Testing the Mind’ series has received little attention from historians of science and early cinema alike. One reason for this neglect is that, to date, not a single extant copy of a ‘Testing the Mind’ release has been located.
- Jeremy Blatter
Jul 22, 2016 · In June, the University of Leipzig hosted “ A Hundred Years of Film Theory. Münsterberg and Beyond: Concepts, Applications, Perspectives ,” which explored the work of the Harvard psychologist who published one of the first sustained works of film theory in 1916.
Jun 3, 2002 · Münsterberg died from a cerebral hemorrhage in 1916, about two years after seeing his first movie, and before the advent of synchronous sound and color movies. Hugo Münsterberg on Film captures his brief but important career as a film theorist commenting on the creation of a new art form.
Dec 20, 2001 · In this new edition, Allan Langdale provides a critical introduction to the seminal text and collects numerous hard-to-find writings on film by Münsterberg.
