Search results
Mar 13, 2023 · Clement Greenberg interpreted the rise of authentic modern art as a rejection of kitsch and “half-baked” religiosity and celebrated Jackson Pollock as representing what he called for.
The critic Clement Greenberg, Pollock's principal champion, said he took one look at the painting and realized that "Jackson was the greatest painter this country has produced." A Museum of...
May 8, 1994 · Clement Greenberg, the art critic who propelled the career of Jackson Pollock and helped to establish Abstract Expressionism as a major artistic movement, died yesterday at Lenox Hill Hospital.
Jan 22, 2015 · Rosenberg vs. Greenberg: The Case of Jackson Pollock. This is Jackson Pollock’s One: Number 31 (1950), which is on display at the Museum of Modern Art, and is also the focal point of our study of Pollock thus far in this class.
- On The Avant-Garde
- On The Origins of Modern Art
- Mature Period
- On Cubism
- 'The Easel Picture' and The 'All-Over' Picture
- On Abstract Expressionism
Among Greenberg's most important early essays was "Avant-Garde and Kitsch," which appeared in Partisan Reviewin 1939. It formed the foundation for much of his later thought. In it he put forth a complex argument about the genesis of the avant-garde and its continued purpose. High art had once been the authentic purveyor of the values of the bourgeo...
Greenberg first laid down his interpretation of the development of modern art in "Towards a Newer Laocoon," an essay published in Partisan Reviewin 1940. The ideas presented here remained foundational for his later writing, although "Modernist Painting," his later essay first broadcast on the radio in 1961, made some amendments to those opinions. "...
Greenberg outlined the basis of his belief in the value and necessity of abstract art in early essays such as "Avant-Garde and Kitsch" (1939) and "Towards a Newer Laocoon" (1940). It was later, however, in essays such as "Abstract Art" (1944) that he began to elaborate his understanding by discussing artists' changing treatment of form and space si...
An evolution can be discerned in Greenberg's attitude towards Cubism. In "The Decline of Cubism," published in 1948, he calls it "still the only vital style of our time, the one best able to convey contemporary feeling, and the only one capable of supporting a tradition which will survive into the future and form new artists." It was, he believed, ...
Greenberg's essay "The Crisis of the Easel Picture" (1948) is notable for his introduction of the term "all-over," to describe a manner of handling pictorial space and surface in paintings, an approach he sees as an emerging tendency in American abstract art. The term soon became widely popular as a means to discuss the appearance and rationale beh...
Greenberg's fullest response to the phenomenon of Abstract Expressionism can be found in one of his most important essays, "'American-Type' Painting" (1955). In some respects "'American-Type' Painting" was prompted by Greenberg's desire to counter the increasing popularity of the ideas that Harold Rosenberg had launched with "The American Action Pa...
- January 16, 1909
- May 7, 1994
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.
People also ask
Who is Clement Greenberg?
What did Clement Greenberg say about modern art?
How did Clement Greenberg die?
Who was Jackson Pollock?
New York City author Clement Greenberg, was one of the most influential art critics of the twentieth century, primarily from the 1940s-1960s. He was an advocate of modern art, particularly the Abstract Expressionist movement, and was one of the first critics to recognize the significance of Jackson Pollock's work.
