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  1. Aug 10, 2017 · Arts & Culture. From Novels to Comedy for TV, Rathbones Creating a Writers Life. By Anne E. Bromley, anneb@virginia.edu. August 10, 2017. Emma Rathbone, a 2006 alumna of UVA’s Creative Writing Program, has always known she wanted to be a writer. (Photo courtesy of Emma Rathbone)

  2. Rathbone, a South Africaborn, America-raised humorist who contributes regularly to the New YorkersShouts & Murmurs” column, is not a British reality star. (She...

  3. Emma Rathbone is the author of the novel The Patterns of Paper Monsters. She is the recipient of a Christopher Isherwood Grant in Fiction, and her work can also be seen in the New Yorker. She is also a writer for the upcoming Netflix comedy, G.L.O.W., produced by Jenji Kohan. She lives in Los Angeles.

  4. Rathbone’s accuracy is what makes her so funny; it’s her grace as a writer that elevates this book from a series of comedic one-liners to art… Emma Rathbone’s project, it turns out, is more ambitious than expected. That’s something to celebrate.” — Edan Lepucki, San Francisco Chronicle “Like The 40-Year-Old Virgin for Women…

  5. www.imdb.com › name › nm9088866Emma Rathbone - IMDb

    Emma Rathbone - IMDb. Español (España) Español (México) Biography. Awards. IMDbPro. All topics. Emma Rathbone (II) Writer. Producer. IMDbPro Starmeter See rank. Emma Rathbone is known for Dead to Me (2019), The Last Man on Earth (2015) and GLOW (2017). Add photos, demo reels. Add to list. More at IMDbPro. Contact info. Agent info. Awards.

    • Writer, Producer
    • Emma Rathbone
  6. writer, producer. biography, photo, best movies and TV shows, instagram, news, birthday and age. «Palm Royale» (2024 – ...), «Dead to Me» (2019 – 2022), «GLOW» (2017 – 2019), «The Last Man on Earth» (2015 – 2018), «Palm Royale» (2024 – ...)...

  7. Jul 26, 2016 · The following is from Emma Rathbones novel, Losing It. Rathbone is the author of the novel The Patterns of Paper Monsters. She is the recipient of a Christopher Isherwood Grant in Fiction, and her work can also be seen in the Virginia Quarterly Review and on newyorker.com.

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