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1–3 Concerto for violin and orchestra in D major (Wolfgang Amadeus Mozart) 💿 4–7 2nd Sutie for violin solo (Karl Amadeus Hartmann) // 10:23 💿 8–11 Concerto funebre (Karl Amadeus Hartmann) // 21:18 12–15 Symphony No. 8 (Wolfgang Amadeus Mozart)
Concerto funebre (Funereal Concerto) is a musical composition for violin soloist and string orchestra by the German composer Karl Amadeus Hartmann. Written in 1939 and substantially revised in 1959, it is by far Hartmann's best known work, especially noted for its lyrical final movement.
Karl Amadeus Hartmann (2 August 1905 – 5 December 1963) was a German composer. Sometimes described as the greatest German symphonist of the 20th century, he is now largely overlooked, particularly in English-speaking countries.
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Offer Hartmann: Concerto for piano, winds & percussion and Concerto Funèbre. Maria Bergmann (piano) & Wolfgang Schneiderhan (violin) Bavarian Radio Symphony Orchestra, Rafael Kubelik. The Concerto funebre (1939, rev 1959) has fared better on disc than any other Hartmann work….
This is especially true of Karl Amadeus Hartmann’s only solo concerto, the Concerto funebre from 1939. Hartmann’s life and work are associated with his “inner emigration” during the Nazi regime and his music which was a declaration of his beliefs.
Concerto funèbre (Hartmann, Karl Amadeus) This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU ...
Karl Amadeus Hartmann composed his four movement Concerto funèbre in 1939 and substantially revised it in 1959, four years before his death. Originally carrying the title ‘Musik der Trauer’ (Music of Mourning) it assumed the present title at the time of revision.
