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  1. 1093-4421. Harvard Design Magazine is a biannual publication of the Harvard Graduate School of Design. It is indexed by the standard subject bibliographies, including Avery Index to Architectural Periodicals, Bibliography of the History of Art, and Artbibliographies Modern.

  2. Harvard Design Magazine probes beyond the established design disciplines to enrich and diversify current discourse. Scholarly, poetic, and visually lush, each presents new interpretations of design’s defining role in today’s culture. Distinguished and unexpected voices from the fields of architecture, landscape architecture, and urban ...

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  4. Harvard Design Magazine - Harvard Design Magazine. Issue 51: Multihyphenate. This issue examines multihyphenation as a mode of creative practice, a political response, and an economic imperative in our 21st century neoliberal world. EXPLORE THE ISSUE.

  5. Reading Architecture in an Era of Globalization - Harvard Design Magazine. Nicolai Ouroussoff. Featured in: 50: Today’s Global. Essay. The architectural profession is in the midst of a long-overdue ethical reckoning.

  6. Harvard Design Magazine 49: Publics questions how public spaces—the physical, the cultural, and the theoretical—operate…. Harvard Design Magazine. Anita Berrizbeitia, Diane Davis, Toni L. Griffin, Daniel D'Oca, Sara Zewde, Krzysztof Wodiczko, Malkit Shoshan, George Thomas, Susan Snyder, Alex Kriegerand Silvia Benedito. January 2022.

  7. Essay. Total design has two meanings: first, what might be called the implosion of design, the focusing of design inward on a single intense point; second, what might be called the explosion of design, the expansion of design out to touch every possible point in the world.

  8. Below, Above, and Beyond: Future of Antwerp’s Mobility and Public Space is a Studio Report…. Studio Reports. Jungyoon Kim, Instructor. October 2023. Harvard Design Magazine. Multihyphenate. Multihyphenation is a compound term referring to alternate modes of creative production: “Collab”…. Harvard Design Magazine.

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