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- Some thirty of Juan de Anchieta's compositions survive, among them two complete Masses, two Magnificats, a Salve Regina, four attributed Passion settings, with other sacred works and four compositions with Spanish texts.
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Some thirty of Juan de Anchieta's compositions survive, among them two complete Masses, two Magnificats, a Salve Regina, four attributed Passion settings, with other sacred works and four compositions with Spanish texts. The two Masses and many motets which survived, show extensive use of plainsong and much chordal writing.
The accurate identification of Juan de Anchieta’s musical creations could be likened to an ongoing and perpetual “work in progress.” This is due to the dispersion and diversity of sources that have persisted over 500 years since his passing.
Sadly, much of his work has been lost to history, but a significant legacy has survived. It is apparent in the admiration he earned during his lifetime and the gradual rediscovery of his work by scholars after his death in the early 16th century.
Juan de Anchieta. Juan de Anchieta was born c. 1462 in Azpeitia, near San Sebastian in N. Spain to a prominent Basque family. By 1489 he was a singer in Isabella’s chapel and music master to Prince Juan.
Three of the best Spanish sculptors of the Modern Age were Juan de Anchieta, a Basque living in Pamplona in the 16th century, Gregorio Fernández, a Galician established in Valladolid in the 17th century, and Luis Salvador Carmona, a Spanish based at the Court of Madrid in the 18th century.
He was one of the leading Spanish church composers of the time; the two Masses and many motets which survive show extensive use of plainsong and much chordal writing. IVL: The Iberian Masters. Biographies of composers of Early Music complementing Here Of A Sunday Morning the radio program.
Juan de Anchieta passed away in Azpeitia on July 30, 1523. [1] “acknowledging the many good services that the said Juanes has rendered us and that he is old enough to reside in our court” Anchieta’s house in Azpeitia
