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Mar 13, 2023 · There are a number of ways that Electronica artists produce music that fits the genre, but essentially, it’s to create music with a peaceful ethos and sound. The Difference Between EDM &...
- Gaurav Krishnan
May 16, 2024 · Today, it is a diverse genre that encompasses a wide range of styles and sub-genres. But how do we categorize electronic music? Is it based on the instruments used, the tempo, the cultural influences, or something else entirely?
Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. Pop electronic music is most recognizable in its 4/4 form and more connected with the mainstream than preceding forms which were popular in niche markets.
Apr 21, 2024 · Generative Art: Electronic music has also inspired a new form of generative art, where the artist uses software to create art that is generated in real-time based on the music. This allows the viewer to see the relationship between the music and the art in a more direct way, creating a new form of synesthesia.
- Emergence of Recording and Electronic Technologies
- Telharmonium: The First Music Synthesizer
- A "New Esthetic of Music"
- The Futurists
- The Theremin
- The Ondes Martenot
- The Trautonium
- The 1920s
- The First Electronic Sound Synthesizer?
- After The Second World War
The ability to record sounds is not absolutely necessary for production of electronic music, but is certainly very useful. The first precursor to the phonograph was invented in 1857 when Edouard-Leon Scott de Martinvillefirst recorded sound outlines onto cylinders coated with carbon (lampblack). Two decades later, in 1878, Thomas A. Edison patented...
In 1898 Thaddeus Cahill patented an instrument called the Telharmonium (or Teleharmonium, also known as the Dynamaphone). Using tonewheels to generate musical sounds as electrical signals by additive synthesis, it was capable of producing any combination of notes and overtones, at any dynamic level. This technology was later used to design the Hamm...
Just a year later, another significant contribution was made to the advent of experimental music. This was the 1907 publication of Ferruccio Busoni's Sketch of a New Esthetic of Music, which discussed the use of electrical and other new sound sources in future music. He wrote of the future of microtonal scales in music, made possible by Cahill's Dy...
In Italy, the Futurists were coming at the changing aesthetic from a different angle, but one that also affected the world of classical music. A major thrust of the Futurist philosophy was to value "noise," and to place artistic and expressive value on sounds that had previously not been considered even remotely musical. Balilla Pratella's "Technic...
Another development, which aroused the interest of many composers, occurred in 1919-1920. In Leningrad, Leon Theremin (actually Lev Termen) built and demonstrated his Etherophone, which was later renamed the Theremin. This led to the first compositions for electronic instruments, as opposed to noisemakers and re-purposed machines. Composers who ult...
The 1920s have been called the apex of the Mechanical Age and the dawning of the Electrical Age. In 1922, in Paris, Darius Milhaudbegan experiments with "vocal transformation by phonograph speed change." These continued until 1927. This decade brought a wealth of early electronic instruments—along with the Theremin—, there is the presentation of th...
The Trautonium was also invented in 1928, and in 1940, Richard Strauss used Trautonium in his Japanese Festival Music. This new class of instruments, microtonal by nature, was only adopted slowly by composers at first, but by the early 1930s there is clearly a burst of new works incorporating these and other electronic instruments.
In 1924, Ottorino Respighi composed The Pines of Rome, which calls for the use of a phonograph recording of nightingales though, at the time of composition, phonograph players were acoustical, not electric, and this is actually more along the lines of using of a sound effect, and therefore cannot be considered an electroacoustic element in the comp...
At the Paris Exposition in 1929, Edouard Coupleux and Armand Givelet presented an instrument utilizing oscillators controlled by punched paper rolls. This is arguably the first real "synthesizer", discounting Cahill's Telharmonium, of course. Just a few years later (in 1935), another significant development was made in Germany. Allgemeine Elektrizi...
In postwar Paris, Paul Boisselet experimented with electronic oscillators, as well as disc and tape procedures, at the same time that Pierre Schaeffer and Pierre Henry were developing the techniques of musique concrète. In the United States, the focus turned more toward the generation of sounds, as well as the generation of compositions through use...
Jul 25, 2022 · Electronic music can be characterized as a genre of music that is created and produced by using electronic and electromechanical instruments, various digital instruments, or so-called circuitry-based music technology.
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Jul 6, 2022 · Let’s take a look at some of the most popular electronic music genres and what makes them so radically different from one another. Contents [show] 1. Techno. One of the biggest genres of electronic music, Techno, began in Detroit in the United States in the 80s, before taking over the rest of the world in the 90s.
