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- The work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of an original bronze statue created between 330 and 320 B.C. by the Greek sculptor Leochares.
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The Apollo Belvedere (also called the Belvedere Apollo, Apollo of the Belvedere, or Pythian Apollo) is a celebrated marble sculpture from classical antiquity. The work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of an original bronze statue created between 330 and 320 B.C. by the Greek sculptor ...
- It was probably completed during the reign of Roman Emperor Hadrian. The Apollo Belvedere is also sometimes referred to as the “Apollo of the Belvedere” or “Pythian Apollo” and is a fascinating ancient marble sculpture.
- It depicts the Greek god but he wears typical Roman shoes. The sculpture was rediscovered in 1489 in Anzio, a town 51 kilometers (32 miles) south of Rome.
- It depicts Apollo shortly after he had shot an arrow to kill a serpent of a giant. The ancient Greek god Apollo is depicted as a nude male except for his footwear and a robe that hangs around his neck and left arm.
- It’s one of the most perfect examples of contrapposto in the history of sculpture. Regardless of the narrative, the sculpture magnificently depicts the moment shortly after Apollo shot an arrow.
Jun 8, 2019 · The statue known as the Apollo Belvedere was once the most famous sculpture in Rome. The statue is thought to be a Roman copy (2nd century CE) of a bronze original by the Greek sculptor Leochares (4th century BCE). The Apollo Belvedere was part of the collection of Cardinal Giuliano della Rovere.
January 2020. As the new year begins, the conservative restoration of one of the most iconic and admired works in the Octagonal Court of the Vatican Museums: the statue of the Belvedere Apollo, is now underway. The sculpture, a replica of a bronze executed between 330 and 320 B.C. by Leochares, owes its consecration to the great German ...
The Apollo Belvedere was discovered near Rome in the late fifteenth century. Possibly a second-century marble copy of a bronze original by the Greek sculptor Leochares, the statue was immediately appreciated as a masterpiece and showered with praise. Probably once in the private collection of Cardinal Giuliano della Rovere (later Pope Julius II ...
Long considered to be a marble copy of a Greek bronze original by Leochares (ca. 330 B.C.), most scholars now believe he is a Roman re-creation or adaptation in Greek style and date him to A.D. 130-140, around the time of the emperor Hadrian (ruled 117-138).
Artist/designer. Sir John Everett Millais Bt. PRA (1829 - 1896) Date. December 1841. Object type. Drawing. Medium. Black and white chalk on brown wove paper. Dimensions. 76 cm x 54 cm. Collection. Royal Academy of Arts. Object number.
