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Jump blues is an up-tempo style of blues, jazz, and boogie woogie usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival.
Nov 25, 2017 · Robert Fontenot. Updated on 11/25/17. The style of hard R&B that came to be known as "jump blues" had its origin in the economic belt-tightening that came during World War II. Swing bands, forced to downsize to a rhythm section and one or two soloists, began to compensate for their smaller scale by playing harder, faster, wilder versions of the ...
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A: Jump blues music is an up-tempo style of blues that emerged in the late 1930s. It is characterized by its energetic rhythm and prominent bass line, often played by a pianist. Jump blues is sometimes called boogie woogie, and it has been cited as a precursor to rhythm and blues and rock and roll.
- What Is Jump Blues?
- Jump Blues by The Dozen
- Cab Calloway—"Minnie The Moocher"
- Ella Fitzgerald—"A Tisket, A Tasket"
- Big Joe Turner and Pete Johnson—"Roll 'Em Pete"
- Edna Mae Harris—"Taint No Good"
- Dorothy Dandridge—"Cow Cow Boogie"
- Louis Jordan & His Tympany Five—"Deacon Jones"
- Louis Jordan & His Tympany Five—"Five Guys Named Moe"
- June Richmond with Roy Milton and His Orchestra—"47Th Street Jive"
Jump blues is an up-tempo combination of blues, swing jazz, and boogie-woogie that was very popular during World War Two. The genre evolved out of big band as the massive swing orchestras of the 1930s–40s downsized, in part due to the implementation of a wartime cabaret tax. With upwards of 20 members, big bands became prohibitively expensive. By c...
Cab Calloway—"Minnie the Moocher" (1933)Ella Fitzgerald—"A Tisket, a Tasket" (1938)Big Joe Turner and Pete Johnson—"Roll 'Em Pete" (1938)Edna Mae Harris—"Taint No Good" (1942)Cab Calloway and his large gathering of musicians was one of the classic big bands from the '30s. Cab showed off his scat singing technique (an art he learned from Louis Armstrong) as well as his excellent showmanship, which helped make him a household world, especially after his big hit "Minnie the Moocher" sold over a million copies and endeared ...
This film clip of Ella singing her 1938 hit comes from the 1942 Abbott and Costello movie, Ride Em Cowboy. Originally, "A Tisket, a Tasket" was an American nursery rhyme and circle game from the 19th century. Then the cute rhyme was put to music by Ella and a New York City songwriter by the name of Van Alexander. At the time, Ella was a singer with...
"Roll 'Em Pete" was recorded in December 1938 by Big Joe Turner and boogie-woogie pianist Pete Johnson, and released as a single in 1939. Boogie-woogie was a fast style that featured eight notes to the bar instead of the usual four—which is why at the time it was marketed as "fast blues." "Roll 'Em Pete" is noteworthy for being one of the first son...
Soundies were music videos before music videos were a thing. They were three-minute musical film clips that played in a visual jukebox. The viewer paid a dime to watch a soundie, and while the variety of musical choices varied widely, the viewer had little choice except to watch whatever film clip was next in the projector. Each musical number was ...
As noted above, boogie-woogie preceded and influenced jump blues. What's interesting is that country and western artists were also quick to pick up the boogie. "Cow Cow Boogie" was a popular WWII tune that crossed several music genres, as well as a couple of color lines. The musical score was written by a successful jazz composer, Don Raye, while t...
Even though the jump blues had a fabulous feel-good attitude, musicians of that era were not averse to mixing in a little social commentary. "Deacon Jones" by Louis Jordan begins by showing the proper respect to a man of the cloth, but by the time the song is over, the true nature of Deacon Jones is severely questioned.
Beginning with Louis Armstrong in the 1920s, black musicians occasionally crossed over to white audiences. During the big band era, Cab Calloway did it with "Minnie the Moocher", as did Ella Fitzgerald, when she recorded "A Tisket a Tasket." Immediately after WWII, these crossovers became more commonplace as Black musicians began receiving airplay ...
If things aren't confusing already, there's the musical arrangement and style of singing known as jive. In this instance, jive music is also known as swing music. Then there is a style of talking in a street vernacular, which is commonly known as jive (jivingif you are actively talking that way). Fortunately, the next musical number by June Richmon...
Jump Blues. Jump blues is a loud rowdy simplified blues influenced form of jazz that became popular in the 40s after the hard times of the 30s drove many big bands out of business. Patrons of noisy dance halls and clubs needed small groups that could match the volume of the departed big dance bands to fuel their entertainment.
Selain itu, Boogie-Woogie juga menjadi dasar dan memberikan pengaruh pada jenis musik Jump-Blues, Piano Blues, Rhythm & Blues, Jazz Swing dan Rock & Roll. Pemain Boogie-Woogie yang terkenal adalah Meade Lux Lewis, Albert Ammons, Cripple Clarence Lofton, Jimmy Yancey dan Sugar Chile Robinson.
