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  1. Haslinger has provided scores to several indie and studio features including The Girl Next Door, Crank, Turistas, Shoot 'Em Up, Death Race, Takers, The Three Musketeers, and Mysteries of the Unseen World, among others. In 2003, Haslinger scored his first film to open at number 1 at the U.S. box office, Underworld, directed by Len Wiseman.

  2. Browse Getty Images' premium collection of high-quality, authentic Paul Haslinger stock photos, royalty-free images, and pictures. Paul Haslinger stock photos are available in a variety of sizes and formats to fit your needs.

  3. www.popdisciple.com › interviews › paul-haslingerPaul Haslinger - Pop Disciple

    Apr 10, 2019 · Paul Haslinger is the groundbreaking Emmy and Grammy nominated musical visionary behind captivating films and television series including Halt and Catch Fire, Underworld, Fear The Walking Dead, Death Race, Wildling, Crank, Sleeper Cell, The Three Musketeers, Blue Crush, Shoot ‘Em Up, The Girl Next Door, and the Resident Evil franchise.

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  4. May 28, 2019 · Paul Haslinger. From Wikimedia Commons, the free media repository. English: Paul Haslinger (born 11 December 1962) is an Austrian-born composer and musician currently based in Los Angeles, California. Paul Haslinger. Austrian musician and composer (born 1962) Upload media. Wikipedia. Date of birth. 11 December 1962.

  5. Dec 19, 2006 · Sleeper Cell by Paul Haslinger is in my opinion one of the best score ever composed, but also one of the best disc ever produced with this album. This is by far the best Haslinger's masterpiece and this is a one-of-a-kind score, mixing several musical scenes into one mind-blowing album, oriental influenced and damn original and addictive!

  6. Paul Haslinger is an Austrian musician and composer. He lives and works in Los Angeles. Paul began his career as a member of Electronic Music pioneers Tangerine Dream. He toured with the band extensively from 1985-90 and contributed to projects such as the album “Underwater Sunlight” (1986), as well as the films “Near Dark” (1987) and ...

  7. Paul said, and that was that. As I see it, the general problem with most action scores today is that they are ‘too nice’, trying to stay out of the way of sound effects; playing around the action rather then representing it. This is the reason why needledrops (songs) have been used for the most impressive action/music moments in recent films.

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