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The Payback is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem, but was rejected by the film
4 days ago · Hell was a follow-up to the successful The Payback (1973), a funk-heavy release that’s considered by some (including myself) to be the best full-length of Brown’s career. The double album featured massive groove-heavy jams that were frequently over seven minutes in length.
- Revenge Is His Right
- A Keystone of Funk Music
- “The Same Old James Brown Stuff” – Perfected
- Soul-Soaked Menace
- The Payback’s Legacy
From the slow-rollin’, steady-mobbin’ opening bars, clearly on a mission, you know “The Payback” is going to be all killer, no filler. That groove, dark, deep and unfussy, thumping in your ears like a stressed heartbeat, ONE-two-three-four; the stratospheric vocal from Martha High like a siren warning of trouble; Fred Wesley’s horn section blowing ...
First released in December 1973 on the album of the same name, “The Payback” is one of the keystones of funk. The music was well established by now, having practically been driven into public consciousness by Brown from 1967, though he was building the sound from 1962 onwards. There was probably an element of Brown being regarded as old school by 1...
Brown’s two soundtracks thus far, Black Caesar (1972) and Slaughter’s Big Rip Off (1973), had been decent, surprisingly subtle efforts, and their corresponding albums are now much sought by funk fiends. But given a third opportunity, Brown was going to make sure he delivered a monster, and he surely had first dibs on the sequel to Black Caesar, Hel...
But JB never took a damn thing lying down. He finished his tracks and assembled a double-album, The Payback, now regarded as one of the classics of 70s African-American music. And the lyrics of the single, cropped from a groaning, growling seven-minutes-plus on the album, speak of vengeance, violence, and being pushed beyond his tolerance. Brown se...
“The Payback” had an influential afterlife. Brown “versioned” it for “Same Beat,” credited to Fred Wesley And The JB’s, laying a different melody over John “Jabo” Starks’ drum pattern from “The Payback” and releasing it as a single a month ahead of that track. Hank Spann again provides interjections – and there were samples from Dr. Martin Luther K...
- Ian Mccann
- 8 min
The song and the album of the same name were originally recorded by Brown as the accompanying soundtrack to the blaxploitation film Hell Up in Harlem (1973), but was rejected by the movie's producers as "the same old James Brown stuff."
James Brown - “The Payback” (Full Album) Judite Cândido. 8 videos 142,985 views Last updated on Apr 4, 2021. ℗ 1973 UNIVERSAL RECORDS, A DIVISION OF UMG RECORDING, INC. Play all.
Dec 1, 2023 · The Payback is best known for its title track, also considered one of James Brown’s finest recordings. It’s the song that is most directly related to Hell Up In Harlem , as Brown proclaims his intentions to seek revenge against those who wronged him.
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The Payback album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem , but was rejected by the film's producers.
