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  1. Petulia
    R1968 · Comedy drama · 1h 44m
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  2. Petulia. Roger Ebert July 01, 1968. Tweet. Now streaming on: Powered by JustWatch. Richard Lester's "Petulia" made me desperately unhappy, and yet I am unable to find a single thing wrong with it. I suppose that is high praise. It is the coldest, cruelest film I can remember, and one of the most intellectual.

  3. Oct 1, 2019 Full Review Mark Bourne Film.com ...an anti-The Graduate ... an essential film from and about America in the dying days of the '60s, yet the modernism of its style and ambitions...

    • (14)
    • Richard Lester
    • R
    • Julie Christie
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  4. Petulia is the cross-over character: a free spirit with a tuba in white maribou, being shut up in a stuffy mansion in Marin County, with an abusive, plastic husband. "Petulia" is a wonderful, alarming, disturbing gem of a film that has soaring hope and chilling visuals. Not a film to be missed.

  5. Apr 29, 2022 · With the exception of the notoriously difficult to please Pauline Kael, critics who saw the film in the late 60s marveled at the masterpiece. Roger Ebert meanwhile said in his 1968 review of the film: “Richard Lester’s Petulia made me desperately unhappy, and yet I am unable to find a single thing wrong with it.”.

  6. Petulia Reviews. All Critics. Top Critics. All Audience. Verified Audience. Penelope Houston The Spectator. You may not greatly take to Petulia, but don't miss it. Full Review | Oct 1,...

  7. www.imdb.com › title › tt0063426Petulia (1968) - IMDb

    Featured review. Delightful & disturbing gem of a film. I stumbled across "Petulia" late one night somewhere on cable and quickly became entranced by the mixed up, alarming and sensitive story. Julie Christie and George C. Scott are amazing in this tale of bad marriages and mistakes.

  8. en.wikipedia.org › wiki › PetuliaPetulia - Wikipedia

    Giving the film four stars, Roger Ebert wrote in his Chicago Sun-Times review of 1 July 1968: "Richard Lester's Petulia made me desperately unhappy, and yet I am unable to find a single thing wrong with it." In The New York Times, Renata Adler called it "a strange, lovely, nervous little film."

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