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  1. Oct 27, 2021 · In The School of Athens analysis above, we looked at various contextual and formal elements that make this fresco painting so profound in its symbolism and technical execution. It has been a High Renaissance masterpiece and since its creation in the 1500s and has received wide acclaim.

    • Alicia du Plessis
    • ( Art Writer )
  2. Greatest Paintings Ever. The School of Athens (1509-11) • Description. • Interpretation & Meaning of The School of Athens. • Raffaello Sanzio. Artist: Raphael (1483-1520) Medium: Fresco painting. Genre: High Renaissance painting. Movement: Renaissance in Rome. Location: Stanza della Segnatura (Signature Room), Vatican.

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    • Plato and Aristotle. The two main figures in the work are placed directly under the archway and in the fresco’s vanishing point, a compositional trick to draw the viewer’s eye to the most important part of the painting.
    • Socrates. To the left of Plato, Socrates is recognizable thanks to his distinct features. It’s said that Raphael was able to use an ancient portrait bust of the philosopher as his guide.
    • Pythagoras. In the foreground, Pythagoras sits with a book and an inkwell, also surrounded by students. Though Pythagoras is well known for his mathematical and scientific discoveries, he also firmly believed in metempsychosis.
    • Euclid. Mirroring Pythagoras’ position on the other side, Euclid is bent over demonstrating something with a compass. His young students eagerly try to grasp the lessons he’s teaching them.
  4. Feb 14, 2022 · The School of Athens by Raphael, produced from 1509 until 1511, is a famous Italian Renaissance fresco painting that was created to adorn the Vatican’s Apostolic Palace. The School of Athens painting is renowned for its realistic utilization of perspective projection.

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    • 6 April 1520
    • 6 April 1483
    • Italian
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  5. Jul 11, 2022 · Today, Artsper’s offering you a detailed analysis of Raphael’s School of Athens! The importance of context in School of Athens. This masterpiece was commissioned by Pope Julius II, who occupied the Vatican in the 16th century. The primary purpose of the painting was to decorate the personal library of the Pope.

  6. For over five hundred years the painting known as the School of Athens by Raphael (Raffaello Sanzio da Urbino, 1483–1520) has been subjected to analysis by a number of interpreters starting with Raphael’s contemporary, the painter Giorgio Vasari, to theologians, art his -

  7. Nesselrath 2004 presented further evidence that the School and Theology are complexly interrelated in execution. The figure of "Michelangelo" in the foreground of the Athens was added later; Nesselrath 1997, 20-21. The common tide today, School of Athens, does not date.

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