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  1. The Man Who Haunted Himself

    The Man Who Haunted Himself

    GP1970 · Thriller · 1h 34m

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  1. The Man Who Haunted Himself is a 1970 British psychological thriller film written and directed by Basil Dearden (his final film prior to his death by car accident in 1971) and starring Roger Moore. It is based on the 1957 novel The Strange Case of Mr Pelham by Anthony Armstrong , [3] and is a variation on the Jekyll and Hyde story.

  2. The Man Who Haunted Himself is a 1970 British psychological thriller film written and directed by Basil Dearden (his final film prior to his death by car accident in 1971) and starring Roger Moore. It is based on the 1957 novel The Strange Case of Mr Pelham by Anthony Armstrong, [3] and is a variation on the Jekyll and Hyde story.

  3. Mar 14, 2019 · Harold Pelham (Roger Moore) unleashing his double on the road. His bout of recklessness ends, unsurprisingly, in a near fatal accident. Indeed, Pelham dies on the operating table, only to be revived by the attending doctors. After his revival, for a brief moment, two heart beats appear on his monitor.

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  4. Sep 2, 1971 · The Man Who Haunted Himself: Directed by Basil Dearden. With Roger Moore, Hildegard Neil, Alastair Mackenzie, Hugh Mackenzie. Harold Pelham discovers a doppelganger is meddling with his personal and professional life in the aftermath of a car crash.

    • (2.8K)
    • Drama, Mystery, Thriller
    • Basil Dearden
    • 1971-09-02
  5. The Man Who Haunted Himself. PG 1970 1h 34m Mystery & Thriller List. Reviews 55% Audience Score 250+ Ratings A London businessman's (Roger Moore) bad alter ego escapes, takes a mistress (Olga ...

    • (33)
    • Basil Dearden
    • PG
    • Roger Moore
  6. Aug 3, 2017 · The Man Who Haunted Himself was adapted from the 1957 novel The Strange Case Of Mr. Pelham by Anthony Armstrong, which had previously formed the basis for an episode of Alfred Hitchcock Presents ...

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  8. Jul 12, 2019 · The Man Who Haunted Himself certainly is more representative of his abilities, with Moore estimating Basil Dearden and Michael Relph’s screenplay as “one of the best scripts I’d ever read.†There’s even a tease of what was soon to come buried within the dialogue.

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