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The symbolic actions, such as putting crepe bows on doves and packing up the moon, depict the surreal and surrealistic nature of grief. At the heart of the poem lies the devastating realization that the deceased was the speaker's everything - their North, South, East, and West.
“Funeral Blues” was written by the British poet W. H. Auden and first published in 1938. It's a poem about the immensity of grief: the speaker has lost someone important, but the rest of the world doesn’t slow down or stop to pay its respects—it just keeps plugging along on as if nothing has changed.
Funeral Blues (”Stop all the clocks”) Lyrics. Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum. Bring out the...
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" Funeral Blues ", or " Stop all the clocks ", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
Themes: Death. Speaker: A Mourner (Unspecified) Emotions Evoked: Grief, Hopelessness, Missing Someone, Sadness. Poetic Form: Quatrain. Time Period: 20th Century. Regarded as the most-renowned poem of Auden, ‘Funeral Blues’ captures the heartbreaking essence of mourning the loss of a loved one at its very core.
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“Funeral Blues”, also known by its opening line, “Stop all the clocks, cut off the telephone,” is a poignant and profoundly moving poem by the English poet W.H. Auden. Written in 1936, this poem was popularized in modern culture through its memorable recitation in the film “Four Weddings and a Funeral.”
Funeral Blues. Stop all the clocks, cut off the telephone. Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum. Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead. Scribbling in the sky the message He is Dead, Put crêpe bows round the white necks of the public doves,
