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  1. In his Weimar period (1708–1717) Bach was involved in the concerto genre, mainly through copying and transcribing. The earliest extant sources of Bach's own concerto compositions date from his Köthen period (1717–1723), where the 1721 autograph of the six Brandenburg Concertos takes a central place.

  2. May 12, 2022 · In this Fifth Concerto, Bach introduces a novelty: the harpsichord as a solo instrument. At first glance, the flute, violin and harpsichord seem equivalent, but then suddenly the harpsichordist...

    • May 12, 2022
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    • Netherlands Bach Society
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  4. Recorded December 9, 1947. Portrait on the right: Boyd Neel, stamp «MAY 11 1955», «Boyd Neel, conductor of the Hart House Orchestra, featured during the four week inaugural Festival of Music at Stratford, July 9th - August 6th» 1955. Purchase.

  5. May 6, 2024 · 19. 154 views 42 minutes ago TIENEN. 300 years ago J.S. Bach wrote a piece of music that would define the structure of music we still adhere to today, especially in the realms of Jazz & Rock....

    • 36 min
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    • Pearl Acoustics
  6. Aug 10, 2021 · Here's how it works, sign-up, choose 5 songs that you'd love to learn, and I'll help you learn your 5 songs and teach you how to learn even more without further lessons! Sign-up Here: https ...

    • Aug 10, 2021
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    • Mitch Gissendaner
  7. In the six 'Brandenburg' Concertos, Bach explores every facet of this genre, with regard to both instrumentation and the way in which he handles the form. All the traditionally used string and wind instruments appear as soloists.

  8. Although both share the genre of Concerto Grosso and are structured in ritornello form, with its alternations of stable tutti ritornellos (such as those that open and close the work) and solo episodes, Bach's use of the form differs considerably from Vivaldi.

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