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Sep 13, 2013 · Hans Holbein the Younger’s “The Ambassadors” of 1533 is well known for its anamorphic image of a skull in the foreground, but upon close perusal, the objects on the table between the two subjects prove just as fascinating. To start with, the painting memorializes Jean de Dinteville, French ambassador to England, and his friend, Georges de ...
Restored 1996. Location. National Gallery, London. Website. National Gallery page. The Ambassadors is a 1533 painting by Hans Holbein the Younger . Also known as Jean de Dinteville and Georges de Selve, [1] after the two people it portrays, it was created in the Tudor period, in the same year Elizabeth I was born.
London, 1533. Two French diplomats pose among scientific devices, musical instruments, and books. Is 'The Ambassadors' a simple double portrait or is there more than meets the eye? National...
Apr 11, 2022 · The Ambassadors is one of the most famous images of the Tudor age. It was created by Hans Holbein the Younger, perhaps the most accomplished portraitist of the 16th century. He was born in Augsburg in southern Germany, but spent two periods of his life in England, during 1526-1528 and 1532-1543.
Jun 23, 2022 · There is more than meets the eye in The Ambassadors by Hans Holbein, it is a visual story that sparks the ideals of life and death depicting wealth and religion in the 16 th century in England and the country’s role in the rest of Europe, as well as the transiency of life that we are always faced with. It also tells the story of two ...
- Alicia du Plessis
- ( Author And Art History Expert )
Dec 6, 2023 · One of the most famous portraits of the Renaissance is without question Hans Holbein the Younger’s The Ambassadors from 1533. Even today, it is a favored portrait to parody, mimic, or cite in art, TV, film, and social media, and it remains an important source for contemporary artists.
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By Dr. Lauren Kilroy-Ewbank. One of the most famous portraits of the Renaissance is without question Hans Holbein the Younger’s The Ambassadors from 1533. Even today, it is a favored portrait to parody, mimic, or cite in art, TV, film, and social media, and it remains an important source for contemporary artists.
