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Synthpop grew rapidly in Europe, where many bands from America to the UK looked as far as Eastern Europe for inspiration. As the decade rumbled on, a newer sound began to emerge. It was around the mid-1980s that synthpop would find a new partner in the form of EDM (electronic dance music).
Synth-pop reached its commercial peak in the UK in the winter of 1981–2, with bands such as OMD, Japan, Ultravox, Soft Cell, Depeche Mode, Yazoo and even Kraftwerk, enjoying top ten hits. The Human League's and Soft Cell's UK number one singles "Don't You Want Me" and " Tainted Love " became the best selling singles in the UK in 1981. [83]
In many ways, synth-pop could only ever have been born in early ’80s Britain, as radical new tech met unique social conditions: the zenith of analogue synth technology colliding with grim reality as newly-elected Conservative prime minister Margaret Thatcher began to turn the screw.
Mar 21, 2021 · There was a time when synthesizers replaced guitars as the most important component of a band. The result was Synth-Pop, a style of popular rock that ruled the airwaves for about ten years beginning in 1977. Synth-pop had its origins and most sustained popularity in the UK.
- Thom Holmes
Mar 26, 2024 · Quick Answer. Synth-pop, short for synthesizer pop, is a music genre prominent since the late 1970s, featuring synthesizers as the dominant musical instrument. Originating in Japan and the UK in the post-punk era as part of the new wave movement, synth-pop quickly gained popularity for its futuristic sound and catchy melodies.
Sep 14, 2018 · Meanwhile in the UK, Brian Eno ’s 70s and 80s output was heavily inspired by the Minimoog synth, first released in 1970. From these experimentations came the synth-pop era, which peaked in...
Apr 23, 2015 · Synthpop is the genre, which vaguely speaking, initially formed in the 60s mainly in the UK and Japan but made a healthy existence in the 80s and 90s and has not stopped cropping up since, just like an ex who’s realised what they’ve lost, long after the break up.
