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Totò, Peppino e...la dolce vita (a.k.a. Toto, Peppino and the Sweet Life) is a 1961 Italian comedy film directed by Sergio Corbucci. [2] It is a parody of Federico Fellini 's La Dolce Vita , and it was filmed on the same sets.
The first scenes were directed by Camillo Mastrocinque, who left the project some days later. The direction went then to Sergio Corbucci, who was also known as a connoisseur of the Roman Dolce Vita and had already directed Totò and Peppino De Filippo shortly before in Chi si ferma è perduto (1960). Connections.
- (455)
- Comedy
- Sergio Corbucci
- 1961-04-01
Totò, Peppino e i fuorilegge: Directed by Camillo Mastrocinque. With Totò, Peppino De Filippo, Franco Interlenghi, Dorian Gray. Antonio and Peppino live in a small town in central Italy: Peppino is the barber, Totò is maintained by the rich but avaricious wife Teresa.
- (641)
- Comedy
- Camillo Mastrocinque
- 1957
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Who directed Tot and Peppino De Filippo?
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Who is Peppino De Filippo?
Why did Peppino De Filippo go to Rome?
But the guy is mastered by 'la dolce vita' and wastes the money entrusted to him for his mission. When Peppino is sent to to find out what happened, he lets himself be trapped by the gentle grip of 'la dolce vita'. Sergio Corbucci. Director. Bruno Corbucci. Screenplay. Giovanni Grimaldi. Screenplay. Mario Guerra.
Peppino De Filippo (born Giuseppe De Filippo; 24 August 1903 – 27 January 1980) was an Italian actor. De Filippo was born in Naples, brother of actor and dramatist Eduardo De Filippo and of Titina De Filippo. He made his stage debut at the age of six.
Summarize this article for a 10 year old. Totò, Peppino e...la dolce vita (a.k.a. Toto, Peppino and the Sweet Life) is a 1961 Italian comedy film directed by Sergio Corbucci. [2] Quick Facts Totò, Peppino e ... la dolce vita, Directed by ... It is a parody of Federico Fellini 's La Dolce Vita, and it was filmed on the same sets.
Dec 5, 2022 · Così scriveva Peppino De Filippo (“Strette di mano”, 1974) ricordando gli anni d’oro di una coppia che fu la più affiatata e spassosa del cinema italiano. Il criterio che governò la coppia “Totò-Peppino” fu indubbiamente diverso da quello che vigeva tra Totò e gli altri, ugualmente eccelsi, comprimari.
