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The daughter of King Maximilian I of Bavaria (1756–1825) and his second wife Karoline of Baden (1776–1841), Sophie Friederike Dorothea Wilhelmine was born on 27 January 1805 in Munich together with her twin sister Maria Anna (1805–1877). Outstandingly intelligent and strong-willed, she was bitterly disappointed when dynastic considerations led to an arranged marriage with
Princess Sophie of Bavaria (Sophie Friederike Dorothea Wilhelmine; 27 January 1805 – 28 May 1872) was the daughter of King Maximilian I Joseph of Bavaria and his second wife, Caroline of Baden. The identical twin sister of Queen Maria Anna of Saxony , Sophie became Archduchess of Austria by marriage to Archduke Franz Karl of Austria .
Sophie Friederike Dorothea Maria Josepha. House. Habsburg-Lorraine. Father. Franz Joseph I of Austria. Mother. Elisabeth in Bavaria. Archduchess Sophie of Austria (5 March 1855 – 29 May 1857) was the first child of Emperor Franz Joseph I and Empress Elisabeth of Austria. She died aged two.
On May 28, 1872, 67-year-old Sophie of Bavaria, Archduchess of Austria, died. Franz Joseph sobbed like a child and Sisi had to be carried from the room. Sophie was buried at the Imperial Crypt beneath the Capuchin Church in Vienna, Austria. From 1960 – 1962, the New Vault was added to the Imperial Crypt to relieve overcrowding.
Sophia Dorothea of Hanover. Princess Friederike Sophie Wilhelmine of Prussia (3 July 1709 – 14 October 1758) was a Prussian princess and composer. She was the eldest daughter of Frederick William I of Prussia and Sophia Dorothea of Hanover, and a granddaughter of George I of Great Britain. She was the older sister of Frederick the Great.
Summary: Act 3, scene 2. In Capulet’s house, Juliet longs for night to fall so that Romeo will come to her “untalked of and unseen” (3.2.7). Suddenly the Nurse rushes in with news of the fight between Romeo and Tybalt. But the Nurse is so distraught, she stumbles over the words, making it sound as if Romeo is dead.
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Analysis. The sudden, fatal violence in the first scene of Act 3, as well as the buildup to the fighting, serves as a reminder that, for all its emphasis on love, beauty, and romance, Romeo and Juliet still takes place in a masculine world in which notions of honor, pride, and status are prone to erupt in a fury of conflict.
