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André Robert Breton (French: [ɑ̃dʁe ʁɔbɛʁ bʁətɔ̃]; 19 February 1896 – 28 September 1966) was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first Surrealist Manifesto (Manifeste du surréalisme) of 1924, in which he defined surrealism as "pure psychic automatism".
Dadaizmi. Dadaizmi, që ka marrë emrin sipas shprehjes da-da, që në fakt paraqet belbëzimin e parë të fëmijës, është rrymë ekstreme artistike dhe letrare nga fillimi i shekullit XX ( 1918 - 1924 ). Me mënyrën e shprehjes, dadaizmi tentonte të kthehej në fillimet e para të të menduarit dhe në format e para të komunikimit, duke ...
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Kubizmi ishte nje tentativë e artisteve per te gjallëruar traditat e vjetëruara të artit perëndimor të cilave u kishte kaluar koha. Kubistët sfiduan format konvencionale si perspektiva e cila ka qene rregull që në Rilindje. Qëllimi ishte të zhvillohej një “menyrë e re e të parit” të gjerave e cila do reflektonte kohën moderne.
Genre. Surrealist narration. Publisher. Grove Press. Publication date. 1928. OCLC. 23109462. Nadja (1928), the second book published by André Breton, is one of the iconic works of the French surrealist movement.
André Breton (born February 18, 1896, Tinchebray, France—died September 28, 1966, Paris) was a French poet, essayist, critic, and editor, chief promoter and one of the founders of the Surrealist movement. As a medical student, Breton was interested in mental illness; his reading of the works of Sigmund Freud (whom he met in 1921) introduced ...
- The Editors of Encyclopaedia Britannica
Sep 28, 2011 · André Robert Breton (French: [ɑ̃dʁe ʁɔbɛʁ bʁətɔ̃]; 19 February 1896 – 28 September 1966) was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first Surrealist Manifesto (Manifeste du surréalisme) of 1924, in which he defined surrealism as "pure psychic automatism".
The Automatic Message (1933) ( Le Message Automatique) was one of André Breton 's significant theoretical works about automatism. The essay was first published in the magazine Minotaure, No. 3-4, (Paris) 1933. In 1997 it became the title of a compilation of surrealist writing of André Breton, Paul Éluard and Philippe Soupault, amongst others.
