Possession
1983
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Andrzej Żuławski (Polish: [ˈandʐɛj ʐuˈwafskʲi]; 22 November 1940 – 17 February 2016) was a Polish film director and writer best known for his 1981 film Possession. Żuławski often went against mainstream commercialism in his films, and enjoyed success mostly with European art-house audiences.
Andrzej Zulawski. Writer: Possession. Born in Lvov, Ukraine; then he moved with his father Miroslaw Zulawski to Czechoslovakia and later to Poland. In the late 1950s, he studied cinema in France. In the 1960s, he was an assistant of the famous Polish film director Andrzej Wajda.
- January 1, 1
- Lwów, Lwowskie, Poland [now Lviv, Ukraine]
- January 1, 1
- Warsaw, Mazowieckie, Poland
May 5, 2014 · Andrzej Zulawski: No it was much more than that because I was really young, about 19, when I first worked with him. Then I was his first assistant on two films some years later. What was important as a life lesson; why the hell do we do films or why do we want to make films. What kind of moral attitude can you have?
Artists & Works Index. Multimedia. A non-conformist director, screenwriter, novelist, essayist, his approach to storytelling is idiosyncratic and characterised by explosions of violence, sexuality, and despair. His visions are influenced by his experiences in wartime and communist Poland and his French education.
Feb 13, 2017 · By Astrid Budgor | February 13, 2017 | 3:13pm. Movies Features Andrzej Zulawski. On February 17th, 2016, not two months after his final film was released, Polish director Andrzej Zulawski...
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Jan 27, 2023 · As a young man, Żuławski worked as an assistant director to the most notable Polish filmmaker at the time, Andrzej Wajda (Ashes and Diamonds), yet Żuławski’s visual style bears more of a resemblance to his Eastern European auteur peers like Wojciech Has (The Hourglass Sanatorium) and Zbyněk Brynych (…And the Fifth Horseman is Fear).
Feb 26, 2016 · The choices of many of his generation bore serious traces of reacting to a trauma, but still he remains chiefly a Romantic: revealing that love is the darkness, against the common, desexualized, sanitized convictions of capitalism.
