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- "Anon" takes place some time in the future, where no one has any privacy, where everyone's history is instantly available, everyone's memories are recorded and can be viewed. Detective Sal Frieland becomes intrigued as he investigates a series of murders and sees a young woman on the street who has no data.
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May 4, 2018 · The Director of Netflix's 'Anon' Explains the Brain-Scrambling Ending. This post contains spoilers for the movie Anon, and discusses the ending of the movie in detail. "My life would be much ...
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May 5, 2018 · His latest movie “Anon,” available on Netflix today, takes a spin on the idea of “the mind’s eye,” envisioning a not-too-distant future in which our first-person perspective is always on record. That means our brains are truly like computers and nothing is private—no invasive Facebook app needed.
Nov 12, 2023 · In the final scenes of “Anon,” Sal confronts The Girl, who reveals her true identity as a woman named Anon. She explains that she has been erasing her memories to escape the oppressive surveillance system.
Set in a futuristic world where privacy and anonymity no longer exist, the plot follows a troubled detective (Owen) who comes across a young woman (Seyfried) who has evaded the government's transparency system. The film was released in the United States, Canada and other territories on Netflix on 4 May 2018.
May 7, 2018 · Ending Explained for the Netflix movie Anon, Starring Clive Owen, Amanda Seyfried. Set in a dystopian future.
- 10 min
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- The Binge Zone
May 11, 2018 · Anon isn’t as provocative as it would like to be. Niccol’s noir cosplay is often effective — Owen makes for a marvelously Bogart-esque rumpled anti-hero — but it gets him stuck down a rabbit-hole of deeply problematic treatment of women, who here are mostly either femme fatales or sexy corpses.
May 4, 2018 · Solving crimes has become easy for police investigator Sal Frieland (Clive Owen) until a series of killings where all the recordings have been hacked and corrupted. Charles Gattis (Colm Feore) is his supervisor.
