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Jan 31, 2024 · Danielle Meath • Jan 31, 2024. Share. On February 9 & 10, conductor José Luis Gomez and the Rhode Island Philharmonic Orchestra will present RACHMANINOFF WITH GARRICK OHLSSON. Title: Piano Concerto No.3, op.30, D minor. Composer: Sergei Rachmaninoff (1873-1943)
Dec 22, 2022 · Contributor. Internet Archive. Language. English. Performer: Sergei Rachmaninoff; The Philadelphia Orchestra. Writer: Rachmaninoff. First Movement: Allegro (Part 2); Op. 30; Piano; Conductor. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record.
Dec 8, 2016 · Subscribed. 2.9K. 242K views 7 years ago. Sergei Rachmaninoff: Piano Concerto no. 3 in D minor, op.18 (1909) - Allegro ma non tanto ( 0:47 ) - Intermezzo: Adagio – poco più mosso – ( 17:40)...
Dec 18, 2019 · Janis/Dorati - This one is played with a small cut in the third movement and the shorter cadenza in the first. When the music began, it was immediately clear that I was listening to one of the great Rach 3's! Janis plays the opening theme with great care and impressive tonal shading. Its tender without being too soft.
Free Piano Concerto No.3, Op.30 by Sergei Rachmaninoff sheet music | Download PDF or print on Musescore.com.
Oct 6, 2021 · Concerto No. 3 : Sergei Vasilyevich Rachmaninoff : Free Download, Borrow, and Streaming : Internet Archive. Webamp. Volume 90%. 1 Piano Concerto No. 3 In D Minor, Op. 30: First Movement: Allegro Ma Non Tanto 17:40. 2 Piano Concerto No. 3 In D Minor, Op. 30: Second Movement: Intermezzo: Adagio; Third Movement:... 25:23.
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Complete String Quartets
Quartetto Italiano Decca Overall, these performances still strike a finely judged balance between beauty and truth, and are ultimately more satisfying and searching than most of their rivals... Read the review
String Quartets, Vols 1-3
Takács Quartet Decca More probing than the pristine Emersons or Alban Bergs (live), more refined than the gutsy and persuasive Lindsays, and less consciously stylised than the Juilliards (and always with the historic Busch Quartet as an essential reference) – at no point did I feel the Takács significantly wanting. They do Beethoven proud and no one could reasonably ask for more. Rob Cowan(May 2005)
String Quartets, Op 18
Tokyo Quartet Harmonia Mundi Few ensembles have characterised the A major’s cantering first idea as happily as the Tokyos do here, while the ethereal and texturally variegated middle movements anticipate the very different world of Beethoven’s “late” quartets. Beautifully blended recordings, too: if you’re after a top-ranking digital set of Op 18, you couldn’t do better... Read the review
Complete Piano Sonatas
Igor Levit pf Sony Classical A highlight is theWaldstein, the repeated C major left-hand chords underpinning a tensile energy that runs through the entire opening movement. But it’s not about momentum: Levit colours and shapes it with such finesse – withdrawing the sound to a whisper and then building to a great billowing wave. TheAdagio moltois remarkable in the way he stills the mood, conjuring an atmosphere that sounds almost like a postscript to Schubert’sWinterreise. As the music gradual...
Songs
Stephen Genz bar Roger Vignoles pf Hyperion The 26-year-old Erfurt-born baritone Stephan Genz is in the first bloom of his youthful prime. His Schumann Liederkreis, Op 24 (5/98) was the first recording to give serious warning of the distinctive lyric ardour and keen intelligence of his artistry; and now Beethoven’s setting of Goethe’s ‘Mailied’ (Op 52 No 4), with its lightly breathed, springing words, could have been written with Genz in mind... Read the full review in the Reviews Database
Choral Fantasia. Triple Concerto. Rondo for Piano & Orchestra
Pierre-Laurent Aimard pf Thomas Zehetmair vn Clemens Hagen vc Chamber Orchestra of Europe; Arnold Schoenberg Choir / Nikolaus Harnoncourt Warner Classics Listening to the opening tutti on this joyful new Triple Concerto, I could just picture Nikolaus Harnoncourt cueing his strings, perched slightly forwards, impatiently waiting for that first, pregnant forte. This is a big, affable, blustery Triple, the soloists completing the sound canvas rather than dominating it, a genuine collaborative ef...
Missa Solemnis
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Fidelio
Stemme; Kaufmann; Lucerne Festival Orchestra / Claudio Abbado Decca It was Abbado’s second Berlin Philharmonic symphony cycle from 2001 which thrust him more or less unexpectedly into the ranks of the immortals where Beethoven is concerned. And it was seven years after that, in Reggio Emilia in 2008, that he conducted his first Fidelio. Like Furtwängler in his 1953 studio recording, Abbado leads a viscerally charged performance that flies to the very heart of the matter, and does so in a vers...
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