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Jun 11, 2015 · By Fred Kaplan. June 11, 20154:07 PM. Coleman’s masterpiece. Album art for The Shape of Jazz to Come. Read more in Slate about Ornette Coleman. During the course of a half-century,...
Apr 1, 2024 · 580 votes. 97 voters. Ornette Coleman is one of the most prolific jazz saxophonists of all time, not to mention one of the great players of the instrument. Here, you'll find a complete list of the best Ornette Coleman albums, including every studio album as well as pictures of the cover artwork.
- Reference
- The Shape of Jazz to Come
- Change of The Century
- “Free Jazz”
- “At The Golden Circle, Stockholm”
- Science Fiction
- “Skies of America”
- “Dancing in Your Head”
- “Of Human Feelings”
- “Song X”
- “Sound Grammar”
The title says it all. This is Ornette Coleman’s classic early quartet, with the like-minded spirits of Don Cherry on pocket trumpet, Charlie Haden on double-bass, and Billy Higgins on drums, and the leader on his trademark Grafton plastic saxophone. This is an utterly distinctive organism, with a twisting interweaving sky-scape of horn lines, a ce...
Same band, same energy, same inventiveness, and some of the leader’s most infectious compositions. ‘Ramblin'” is pure delight: propulsive, folkish and insistently melodic. ‘Una Muy Bonita’ is similarly joyous, and a great example of the ‘harmolodic’ equality between instruments: Higgins’ drumming, in particular, is bursting with melodic ideas.
The iconic Jackson Pollock cover painting of this album signals the parallels between Ornette Coleman’s music and abstraction in the visual arts: its vitality, its interest in juxtapositions and accidents rather than the well-worn structures of functional harmony, even its uncompromising relentlessness. If the early quartet albums are bracing, this...
Ornette’ Coleman’s first album for Blue Note Records, recorded live with his new trio with David Izenson on double-bass and Charles Moffatt on drums, has a real swagger and confidence, plus labyrinthine tunes, an in-your-face recording clarity, and the leader’s first outings on violin and trumpet (both of which he plays with a kind of primitive gra...
Science Fiction was another stratospheric leap forward, yet with its feet firmly planted in Ornette’s roots. There are some brilliant showcases for the original quartet here, playing with astonishing intensity (witness Cherry’s powerhouse scribbling solo on “Civilization Day”), but also ensembles up to eleven in size, mixing vocals with narration, ...
Talking of new planets…the first notes on this uncompromising orchestral epic usher in a bold soundworld that has more in common with Xenakis and Messiaen than with Ellington or Armstrong, yet the energy and unexpectedness are all Ornette’s. There are also passages of sonorous beauty too, like weirdly wonderful vegetative forms.
The first album to feature Ornette Coleman’s new electric band, which came to be known as Prime Time. This also includes a completely fitting collaboration with the legendary Moroccan musicians The Master Musicians Of Jajouka, which seems to locate Ornette’s hypotnic, incantatory, intonation-stretching saxophone sound right back in its original hom...
This is probably Prime Time’s signature album, featuring short snappy tracks with quirky bluesy tunes over funk and disco rhythms at brisk tempi, duelling new-wave rhythm guitars, and unstoppably active electric bass. In its way, it’s as playful and deceptively childlike as the early quartet albums.
A delicious one-off standout in Ornette’s 1980s releases, this is an utterly unexpected collaboration with virtuoso guitarist Pat Metheny, and also features the stellar rhythm section of Charlie Haden and drummer Jack DeJohnette (plus Denardo on percussion). In an interview in 1987, Ornette said of working with other musicians that “I don’t want th...
You’d be forgiven for thinking that Ornette Coleman was 26 rather than 76 when he made this live recording (Grammy-nominated and Pulitzer Prize-winning) in the company of two double-bassists and Denardo on drums. Prime Time’s bewildering thicket of overlapping guitars and electric basses is gone, and gives way to a gloriously open vista in which th...
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What I consider to be Prime Time's finest hour, the best way to describe this album is what nightclub music sounds like when you've descended to hell. It also happens to be probably the finest disco album ever released. 1: 1. Ornette Coleman The Shape of Jazz to Come (1959) What do I even say about this record?
Mar 9, 2024 · Best Ornette Coleman Pieces: Songs of Limitless Creativity. An introduction to a restless mind that constantly pushed at the limits of jazz (and music itself) throughout a lengthy career.
- Ivana Ng
Dec 13, 2007 · In remembrance, we’ve posted this list of Coleman’s five key albums, which originally ran in the December 13th, 2007 issue of Rolling Stone. He will be missed. The Shape of Jazz to...
Jun 12, 2015 · Six of the best – Ornette Coleman through the decades. John Fordham picks a classic track from each decade of the pioneering jazz saxophonist’s career. John Fordham. Fri 12 Jun 2015 09.26 EDT...
