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  1. en.wikipedia.org › wiki › Robert_EvansRobert Evans - Wikipedia

    Robert Evans (born Robert J. Shapera; June 29, 1930 – October 26, 2019) was an American film producer who worked on Rosemary's Baby (1968), Love Story (1970), The Godfather (1972), and Chinatown (1974).

  2. The Bob Evans farmhouse kitchen is open and ready to serve you a farm fresh breakfast, lunch, and dinner for delivery, carryout, or dine in. View our menu to explore homestyle favorites at a great price!

  3. Robert Evans, who had a long and very storied career as both a studio head and producer at Paramount Pictures, died last Saturday at age 89. As a studio executive, he oversaw "The Godfather"...

  4. Apr 29, 2022 · The Hollywood superproducer behind The Godfather, Chinatown, and Love Story led a life even more outrageous than what’s depicted in the tame Paramount+ series.

    • Did the mob protest against the making of The Godfather? In The Offer, the mafia is insulted by the portrayal of Italian Americans in Mario Puzo’s novel.
    • Did Frank Sinatra almost beat up Mario Puzo over The Godfather? There’s a moment in the first episode of The Offer in which Mario Puzo (Patrick Gallo) spots Frank Sinatra (Frank John Hughes) at a Hollywood restaurant and decides to tell him how much he means to him.
    • Did Robert Evans not want to hire Al Pacino for The Godfather because of his height? Throughout The Offer, Paramount Studio head Robert Evans argues that Francis Ford Coppola can’t cast Al Pacino (Anthony Ippolito) as the lead in The Godfather because he’s too short.
    • Did Mario Puzo send Marlon Brando a letter asking him to star in The Godfather? In The Offer, Mario Puzo sends Marlon Brando (played by Grey’s Anatomy’s Justin Chambers) a letter asking him if he’d be interested in playing Don Corleone.
  5. Nov 2, 2019 · During his tenure, he presided over Francis Ford Coppola’s first and second “Godfather” installments, and Roman Polanski’s “Rosemary’s Baby,” among many other films.

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  7. Oct 28, 2019 · Coppola honored Evans for his contributions to “The Godfather” films when he was at Paramount and for his help as an independent producer on Coppola’s “The Cotton Club” from 1984.

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