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- Look no further than Beethoven, who composed just the one and turned it into all-out war between soloist and orchestra. Other romantic-era composers took note and never attempted a second concerto — or, if they did, never succeeded.
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Mar 29, 2024 · March 29, 2024. From the Lebrecht Album of the Week: Writing a violin concerto is no easy matter. Look no further than Beethoven, who composed just the one and turned it into all-out war...
Oct 25, 2022 · Strong comparisons have been drawn between Beethoven’s first movement and that of Mozart’s C Minor Piano Concerto, K. 491. Beethoven’s form is nearly identical to Mozart’s, and the first theme of each work bears more than a coincidental resemblance. However, Beethoven’s mood is more of an extension of his own stormy Pathétique Sonata ...
Jane Jones explores the drama that reveals the piano as the poet. If your picture of Beethoven is, like mine, of a dramatic, dark personality whose tragic life events shaped him and his music, then the Piano Concerto No.3 is the man personified! The concerto was begun in 1800, but not premiered until 1803; these were critical years for ...
- Beethoven’s Five (or So) Piano Concertos
- Beethoven’s Piano Concerto No. 1
- Beethoven’s Piano Concerto No. 2
- Beethoven’s Piano Concerto No. 3
- Beethoven’s Piano Concerto No. 4
- Beethoven’s Piano Concerto No. 5
- Recommended Recording
Beethoven’s five piano concertos are all in three movements. Here their similarities end. The wonderful thing about Beethoven – OK, one of many wonderful things – is that he never repeats himself. The earliest of Beethoven’s piano concertos that we generally hear, No. 2, was first drafted in the late 1780s and the last completed in 1809-10, by whic...
The C major concerto, the official No. 1, was a case in point. Beethoven premiered it in 1795 in his first public concert in Vienna, having written the finale only two days earlier. His friend Franz Wegeler recalled him racing against the clock to finish it, handing over the sheets of manuscript page by fresh page to four copyists waiting outside. ...
Of No. 2 in B flat major, Beethoven wrote self-deprecatingly to his publisher: “This concerto I only value at 10 ducats… I do not give it out as one of my best.” Yet if he hadn’t written anymore, we would still love him for this work. Genial, warm, sometimes ridiculously funny – try those off-beat loping rhythms in the finale – the B flat piano con...
If there’s a key in Beethoven associated with high drama, it is C minor: he used it for the Symphony No. 5, the ‘Pathétique’ Sonata, much later his last piano sonata, Op. 111, and the Piano Concerto No. 3. This was written as the 19th century was taking wing; its first performance, given by the composer himself, was on 5 April 1803. Only six months...
In the Piano Concerto No. 4in G major, Beethoven inhabits new worlds that are both brave and breathtaking. It is brave, for a start, to begin a concerto with the soloist playing alone, very quietly. The piano’s initial phrase – a soft G major chord that pulses, then expands towards a questioning cadence – poses a challenge to the orchestra, which r...
The last concerto, subtitled the ‘Emperor’, is in Beethoven’s old favorite key of E flat major, and it lives up to its nickname in terms of grandeur, poise, and scale of conception. This is the only one of Beethoven’s piano concertos that the composer did not perform himself: by the time of its premiere in January 1811, his hearing loss was making ...
Krystian Zimerman and Sir Simon Rattle’s landmark recording of Beethoven’s Complete Piano Concertos with the London Symphony Orchestra was a major highlight of the celebrations to mark the 250th anniversary of Beethoven’s birth. Their outstanding performances, streamed on DG Stage from LSO St Luke’s and recorded live by Deutsche Grammophon in Decem...
- Jessica Duchen
Beethoven's Piano Concerto No. 3 in C minor, Op. 37 is generally thought to have been composed in 1800, although the year of its composition has been questioned by some contemporary musicologists. It was first performed on 5 April 1803, with the composer as soloist. [1] During that same performance, the Second Symphony and the oratorio Christ ...
Apr 24, 2020 · In fact, C minor seems to have had special significance for Beethoven from his first published works, the three Piano Trios, opus 1, the last of which is also in C minor and very much in the same mood. Mozart wrote only two piano concertos in minor keys, those in D minor and C minor.
Jun 27, 2020 · The Piano Concerto No. 3 in C minor, composed approximately in 1800, was a continuation of that musical dialogue that Beethoven conducted for years with the composers Johann Sebastian Bach (1685-1750) and Wolfgang Amadeus Mozart (1756-1791).
