Voices from Beyond
1994
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Two 17th-century Portuguese missionaries, Father Sebastian Rodrigues (Andrew Garfield) and Father Francisco Garupe (Adam Driver), embark on a perilous journey to Japan to find their missing mentor ...
16 hours ago · This striking contrast resulted in In A Violent Nature earning an 85% approval rating from critics on Rotten Tomatoes, with many reviewers raving about its hypnotic appeal. According to these reviews, the languid pacing and beautiful vistas that make up much of the movie’s runtime make the kills all the more upsetting and terrifying when they ...
Jan 11, 2011 · REVIEW: Starring: John Savage, Sandi Schultz. Director: Lucio Fulci. Writer: Lucio Fulci. When I found out that “Door into Silence” was the last film of famed Italian horror director Lucio Fulci, I was all a flutter. I’m a uber fan of Italian horror films, some of the standouts being Fulci contributions. The memories of sheer bliss from ...
A little time spent in the monastery is fine, but nearly three hours is an endurance test. Full Review | Original Score: 2/4 | Apr 27, 2007. At once eerie, picaresque, evocative, and utterly alien ...
Mar 19, 2021 · Doors. Released Mar 19, 2021 1h 21m Sci-Fi Mystery & Thriller TRAILER for Doors: Exclusive Trailer 1 List Doors: Exclusive Trailer 1 1:34 View more videos. 46% Tomatometer 13 Reviews 18% Audience ...
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- Josh Peck, Lina Esco, Wilson Bethel
- Dugan O'neal, Jeff Desom, Saman Kesh
- Sci-Fi, Mystery & Thriller
Jul 31, 2009 · Lucio Fulci's 1991 Door Into Silence (Le porte del silenzio) is a straightforward adaptation of the same idea. Lucio Fulci is the Italian director most known for his gore horror films of the early 1980s -- Zombie, City of the Living Dead , The Beyond --- that followed the lead of George Romero, upping the ante for ghastly carnage.
This Review Contains Spoilers. Outside of revisiting the location –Louisiana– of his gothic masterpiece The Beyond, and a few odd zoom and rack focus shots, this tepid supernatural drama (which on the title card reads “Door to Silence”) bears little resemblance to any of Fulci’s (far superior) earlier films (which could explain why the director name on the credits is H. Simon Kittay).
