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  1. Edward Lachman

    Edward Lachman

    American cinematographer and director

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  1. Edward Lachman. Cinematographer: Carol. Edward Lachman was born on 31 March 1948 in Morristown, New Jersey, USA. He is a cinematographer and director, known for Carol (2015), Far from Heaven (2002) and Ken Park (2002).

    • January 1, 1
    • 2 min
    • Morristown, New Jersey, USA
  2. Edward Lachman (born March 31, 1948) is an American cinematographer and director. He has primarily worked in independent film , and has served as director of photography on films by Todd Haynes (including Far from Heaven in 2002 and Carol in 2015, both of which earned Lachman Oscar nominations [1] ), Ulrich Seidl , Wim Wenders , Steven ...

  3. Feb 13, 2024 · Feb. 13, 2024 5 AM PT. Cinematographer Edward Lachman was starting to think he’d never get to work with director Pablo Larraín, an old acquaintance. But more than 15 years after their first ...

    • Daron James
  4. May 20, 2017 · Cinematographer Edward Lachman breaks down the unique way he shot Todd Haynes' latest masterpiece. Wonderstruck DP Edward Lachman: B&W Silent Movies & Grainy 1970s Color

    • Chris O'falt
  5. Sep 14, 2017 · At 69, and with more than 90 movies on his CV, cinematographer Ed Lachman is on something of a roll this fall. He received recently the Lifetime Achievement Award from the American Society of Cinematographers, and will see his latest stunning collaboration with director Todd Haynes, Wonderstruck, released in theaters from Amazon Studios and Roadside Attractions.

  6. Edward Lachman. Cinematographer: Far from Heaven. Edward Lachman was born on 31 March 1948 in Morristown, New Jersey, USA. He is a cinematographer and director, known for Far from Heaven (2002), Carol (2015) and Ken Park (2002).

  7. Feb 14, 2024 · Lachman, meanwhile, lensed films for longtime collaborators like Todd Solondz and Todd Haynes. (The cinematographer has received two Oscar nominations for his work with Haynes, first for 2002's Far from Heaven and then for 2015's Carol.) At a certain point, Lachman began to lose faith that he would ever have the chance to work with Larraín.

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