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  1. Oct 10, 2022 · Pdf_module_version 0.0.20 Ppi 360 Rcs_key 24143 Republisher_date 20221010215917 Republisher_operator associate-zhelynesa-ongco@archive.org Republisher_time 190 Scandate 20220926160256 Scanner station07.cebu.archive.org Scanningcenter

  2. Weber’s Sociology of Music, which combines urban theory, class/labor theory, rationalization theory, and even climatic changes, is an excellent place to begin a thorough discussion of the social components of music.

  3. Tia DeNora. Music sociology has anticipated so many major developments in sociology writ large but in ways that remain, mostly, ‘unsung’. Our shared field will, I believe—eventually—influence sociology profoundly and for the better. But it is up to us to sing the praises of what music sociology can do.

    • Tia DeNora
    • 2019
  4. May 24, 2017 · Abstract. Music is central to cultural life and therefore also often perceived as central to social life. The study of music in society has been of interest to canonic social thinkers, including ...

  5. the sociology of music was long marked by scattered works that failed to generate sustained scholarly interest. Cruz (2002: 16) traces the roots of music sociology back to the autobiography of Frederick Douglas ([1845] 1999), wherein discussions of slave music (i.e., spirituals) demonstrated “paths to the study of music as fathomable inner

  6. May 24, 2017 · DOI: 10.1093/obo/9780199756384-0198. Introduction. Music is central to cultural life and therefore also often perceived as central to social life. The study of music in society has been of interest to canonic social thinkers, including Weber, Simmel, and Adorno, since the establishment of sociology.

  7. The object of Musical Life in a Changing Society is twofold: to discuss various past and present forms of music and musical activity in their respective sociohistorical context of emergence and development, and to examine how different sociomu-sicological theories were developed to ac-count for and help understand these

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