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Q1 of Hamlet (also called the "First Quarto", full title The Tragicall Historie of Hamlet Prince of Denmarke) is a short early text of the Shakespearean play. The intended publication of the play is entered in the Stationers' Register in 1602 by James Roberts , but Q1 was not published until summer or autumn 1603.
Quarto (abbreviated Qto, 4to or 4º) is the format of a book or pamphlet produced from full sheets printed with eight pages of text, four to a side, then folded twice to produce four leaves. The leaves are then trimmed along the folds to produce eight book pages. Each printed page presents as one-fourth size of the full sheet.
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« Quarto » est une collection littéraire des éditions Gallimard, créée en 1995, dirigée par Françoise Cibiel jusqu'en 2018, puis par Aude Cirier-Gouraud. Elle est composée de recueils ou d'œuvres intégrales d' écrivains classiques et contemporains, français et étrangers, dans le domaine littéraire et des sciences humaines.
Title page of the first quarto (1600) Henry V is a history play by William Shakespeare, believed to have been written near 1599. It tells the story of King Henry V of England, focusing on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War.
Hamlet (Quarto 1, 1603) 0.1 THE. Tragicall Hi st orie of. HAMLET. Prince of Denmarke. By William Shake- s peare. As it hath beene diuer s e times a ct ed by his Highne ss e s er -. uants in the Cittie of London: as al s o in the two V -. niuer s ities of Cambridge and Oxford, and el s e-where.
Q1 of Hamlet (also called the " First Quarto ", full title The Tragicall Historie of Hamlet Prince of Denmarke) is a short early text of the Shakespearean play. The intended publication of the play is entered in the Stationers' Register in 1602 by James Roberts, but Q1 was not published until summer or autumn 1603.
In the first line, Q 1 substitutes ‘raised’ for Q 2’s ‘made’, and in third line, the second quarto has ‘nourished’ and ‘loving tears’ where Q 1 reads ‘raging’ and ‘a lover’s tears’. Otherwise, the two passages are substantively identical. Here, by contrast, are parallel passages, also from Romeo’s part, more ...
