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  1. Fra Bartolomeo or Bartolommeo OP (28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original name Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far ...

  2. Fra Bartolomeo or Bartolommeo OP (UK: / ˌ b ɑːr t ɒ l ə ˈ m eɪ oʊ /, US: /-t oʊ l-/, Italian: [bartolo(m)ˈmɛːo]; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di San Marco, Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, was an Italian Renaissance painter of ...

  3. Fra Bartolommeo (born March 28, 1472, Florence [Italy]—died Oct. 31, 1517, Florence) was a painter who was a prominent exponent in early 16th-century Florence of the High Renaissance style. Bartolommeo served as an apprentice in the workshop of Cosimo Rosselli and then formed a workshop with the painter Mariotto Albertinelli.

    • The Editors of Encyclopaedia Britannica
  4. Fra Bartolomeo created the dramatic scene—one that was extremely rare in Italian Renaissance art—using only a vibrant red chalk and focusing in particular on the movement of the figures and on their classical proportions. Left: Fig. 6. Workshop of Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, 1473–1517).

  5. Baccio della Porta, known as Fra Bartolommeo, was born in 1472 in Florence. In 1485 he entered the workshop of Cosimo Rosselli as an apprentice. Berenson maintained that Rosselli’s assistant, Piero di Cosimo, was responsible for Della Porta’s training, transmitting to the young painter his interest in German art and the technique of the ...

  6. Jan 18, 2024 · Fra Bartolommeo's art reflects the development of Florentine art from the detailed realism of the 1400s to the idealized grandeur, compositional simplicity, and rhythmic movement of the High Renaissance style of the 1500s. The purity of lines and volumes in one of his paintings inspired the young Raphael.

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  8. "The Earliest Works of Fra Bartolommeo." Art Bulletin 51 (June 1969), p. 148, fig. 16, attributes it to Fra Bartolomeo, citing the landscape with tall buildings and feathery trees as characteristic of his work; notes Hans Memling's influence in the placement of the sitter against a landscape, most clearly comparable to Memling's "Portrait of a ...

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