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She was notable for editing a memorial of her close friend, Frances Sargent Osgood, after Osgood’s death. Mary Elizabeth Hewitt Hewitt and Poe’s acquaintance with one another wasn’t made until 1845, when she wrote a letter to Poe in regard to his poem, “The Raven.”
Frances Sargent Osgood (née Locke; June 18, 1811 – May 12, 1850) was an American poet and one of the most popular women writers during her time. Nicknamed "Fanny", she was also famous for her exchange of romantic poems with Edgar Allan Poe.
Aug 24, 2009 · In the 1830s and 1840s, Frances Sargent "Fanny" Osgood was a prolific and well-known magazine poet, but she is mainly remembered today for her controversial and debatable relationship with Edgar Allan Poe. Osgood, a married woman of thirty-four with two young daughters, met Poe in March of 1845.
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about the Osgood- Poe relationship from both of the principals in 1848 while she was considering marriage to "the Raven." Visiting her friend Alice Cary in New York City in 1856, she saw in Cary's drawing room portraits of Poe and his "unrelenting biographist" Rufus W. Griswold-and, in a recess opposite
In 1845, Frances Osgood met Edgar Allan Poe and the two writers began a literary courtship that escalated into a series of scandals. Although she and her husband were separated at the time, Frances Osgood's relationship with Poe aroused the jealousy of other admirers (respectively, editor Rufus Griswold and poet Elizabeth Ellet ).
Two major documents in which the popular poet Frances Sargent Osgood offers views of Edgar Al-lan Poe shortly after his death - "A Dirge" in verse and "Reminiscences of Poe" in prose - have always been cited with significantly later dates and in. slightly different forms than they had in their first.
Poe and Frances Osgood, as Linked through "Lenore" All accounts of the Della Cruscan poetic exchanges and of the highly publicized "year-long" relationship of Poe and Mrs. Frances Sargent Os good seem to concentrate on the beginning of 1845. Poe then started his climb to the co-editorship of the Broadway Journal and early exer
