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1914 "Glass Pavilion" of Bruno Taut. The Glass Pavilion, designed by Bruno Taut and built in 1914, was a prismatic glass dome structure at the Cologne Deutscher Werkbund Exhibition. The structure was a brightly colored landmark of the exhibition, constructed using concrete and glass.
The Glass Pavilion, built in 1914 by Bruno Taut, was a prismatic glass dome structure at the Cologne Deutscher Werkbund Exhibition. The structure was a brightly colored landmark at the exhibition, and was constructed using concrete and glass.The concrete structure had inlaid colored glass plates on the facade that acted as mirrors.Taut ...
Glass Pavilion is one of artworks by Bruno Taut. Artwork analysis, large resolution images, user comments, interesting facts and much more.
Mar 28, 2017 · Markus Breitschmid, First published: 28 March 2017. https://doi.org/10.1002/9781118887226.wbcha116. Read the full text. PDF. Tools. Share. Abstract. Part of the prestige of the Glass House rests upon the renown of the man who designed it, Bruno Taut, an architect with a particularly ambitious vision for the future of architecture.
- Introduction
- Concept
- Description
- Spaces and Materials
- Structure
German Werkbund was an association of artists, designers and architects that preceded the Bauhaus to it, among others, belonged Bruno Taut. In the statement of Colonia1914, the Werkbund provided an architect’s work, Glass House, a successful fusion of technical and commercial aesthetic elements. During the exhibition, the architect made numerous ...
The German Werkbund members of the group, particularly Taut, were convinced that light and transparency were the main features of an ideal architecture of the future. This project was a first attempt to give form to that ideal. The structure made by Bruno Tautdemonstrated the many ways in which the glass could be used in construction, but also hint...
The design was an explosion of color with an interior whose floor was glass and the walls and windows decorated with mirrored mosaics. Information on the glass industry which sponsored the project was also included. The dome targeted feature double glass pavilion rests on a circular plan in which 14 lintels rise mid-rise with side brackets framing ...
An inscription of P. Sheerbart served as introduction to building, which the poet himself understood as the origin of a new architecture: ” Architecture of Glass “, title, moreover, also one of his works published in 1914. Its interior is divided into two floors
The structure of the Pavilion was built on a concrete pedestal, whose two entrances on both sides of the building are achieved up two flights of stairs, which gives the same appearance of the temple. Glass walls are capped by a perimeter concrete lintels over which the double dome prismatic glass skin reflected in prisms forms the interior and exte...
Taut and others described in detail one’s passage through the Glass House. Concrete steps led to a terrace; walls of Luxfer Prisms enclosed the interior; two iron staircases, outfitted with Luxfer glasses, ascended. The Glass House by Bruno Taut, Cologne Werkbund Exhibition, 1914.
He created glass-treaded metal staircases, a waterfall with underlighting, and colored walls of mosaic glass. His sketches for the publication "Alpine Architecture" (1917) are the work of an unabashed utopian visionary, and he is classified as a Modernist and in particular an Expressionist.
