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  1. Initially formed as a three piece in 1986 with Kurt Wagner, bassist Marc Trivillion and guitarist Jim Watkins with the name Posterchild. They released some low-fi bedroom recordings on cassette such as I’m Fucking Your Daughter. In 1992 they released a split 7” with Crop Circle Hoax which got the attention of entertainment lawyer George ...

  2. May 21, 2021 · While their 1996 7-song EP Hank ranks amongst some of the band’s best material, along with selections from their two B-sides and rarities collections, and the absolutely essential 2009 live ...

  3. lambchop.bandcamp.com › album › hankHank | Lambchop

    Jul 9, 1996 · Hank by Lambchop, released 09 July 1996 1. I'm a Stranger Here 2. Blame It on the Brunettes 3. The Tin Chime 4. Randi 5. Doak's Need 6. Poor Bastard 7. I Sucked My Boss's Dick

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  5. Sep 13, 2015 · The considered other band names like R.E.N. (for spite, a ironic three letter abbreviation of Poster Child ren, but maybe more famous R.E.M. would have objections to this name), Pinnacles of Cream and Turd Goes Back but eventually they chose the name Lambchop after a TV glove puppet, Lamb Chop, popular in the 1960s. The name was decided on the ...

  6. Lambchop. (Originally known as Posterchild). An alternative country band from Nashville, Tennessee. The band is known for its resistance to easy genre classification and its ever-changing line up, which revolves around front man - Kurt Wagner, whose distinctive songwriting evokes the characteristic moods of the band's style.

  7. Sep 30, 2022 · The Bible is undoubtably one of Lambchop’s most mature records, but it is also one of their most honest, most unguarded in its emotional and historical perspectives. While reckoning with the struggles of his dad, nostalgia for his old Nashville haunts, and lingering questions regarding his own relevance, Wagner has helped to shepherd one of ...

  8. FLOTUS is the twelfth studio album by American band Lambchop, released on November 4, 2016. It marked a significant stylistic departure for the group into more electronic-influenced territory, as heard by the instrumental emphasis on synthesizers and the Auto-Tune effects applied to singer-songwriter Kurt Wagner's voice.

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