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- By the time Beckett fully committed himself to his own work, he took Joyce’s examination of excess and language in a new direction, deciding to more thoroughly explore nothingness and the emptiness of words—a vision that Endgame mines with its lack of contextual information and logical, coherent dialogue.
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Aug 8, 2020 · Few plays have ever reached the existential core as Endgame does. Replacing conventional characterization and incident with basic and resonating pat-terns of meanings and suggestive images, Beckett manages to find a dramatic equivalent for the instant between being and nothingness.
It’s noteworthy that neither Hamm nor Clov say anything else about the boy Clov spotted out the window. As a result, Beckett once more dismisses a possible way of interpreting the play, letting go of the idea that Endgame is a play about a play and that the boy is an “underplot.” Instead of following this thread, Beckett embraces an utter ...
Endgame, a play by Irish playwright Samuel Beckett, was first performed and published in 1957. It is a one-act play set in a single room in a post-apocalyptic setting, focusing on the interactions between four characters: Hamm, Clov, Nagg, and Nell.
Like many of his plays and novels, Beckett first wrote Endgame in French, titling it Fin de partie. The reason he worked this way was because his French was worse than his English, and he liked the effect this had on his writing.
Samuel Beckett said that in his choice of character's names, he had in mind the word "hammer" and the word "nail" in English, French and German respectively, "clou" and "nagel". Beckett was an avid chess player, and the term endgame refers to the ending phase of a chess game.
- Hamm, Clov, Nagg, Nell
- Samuel Beckett
- 3 April 1957
A short summary of Samuel Beckett's Endgame. This free synopsis covers all the crucial plot points of Endgame.
Important information about Samuel Beckett's background, historical events that influenced Endgame, and the main ideas within the work.
