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  1. The form of this triangle, in all events, rehearses one found in Horace’s eleventh Epode, from earlier in his poetic career and set, like Horace’s own birthday, in December : there, Horace would tearfully complain about objects of his affection seduced rather by « money » (11 lucrum) than his own « brilliant talent » (11-12 candidum ...

    • Aaron Kachuck
  2. The form of this triangle, in all events, rehearses one found in Horaces eleventh Epode, from earlier in his poetic career and set, like Horace’s own birthday, in December : there, Horace would tearfully complain about objects of his affection seduced rather by «money » (11 lucrum) than his own «brilliant talent » (11-12 candidum ...

  3. Summary. In every human life there are two days of special significance – birthday and deathday. The first is marked with a rubric in the diary, while the second lurks unknown among all the leaves of the year. In Rome birthdays were noted and celebrated throughout life and sometimes afterwards, but deathdays were less liable to leave a ...

  4. The fourth book of Odes contains no poem addressed to him, only a mention of his birthday, which Horace proposes to celebrate in the company of a woman named Phyllis (4.11.13–20). The three long literary letters make no mention whatever of Maecenas.

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  6. Horace (Quintus Horatius Flaccus) was a Roman poet, satirist, and critic. Born in Venusia in southeast Italy in 65 BCE to an Italian freedman and landowner, he was sent to Rome for schooling and was later in Athens studying philosophy when Caesar was assassinated. Horace joined Brutus’s army and later claimed to have thrown away his shield in ...

  7. Mar 14, 2023 · Available in other languages: Spanish. Subscribe to topic Subscribe to author. Horace 's Epodes is a book of 17 poems, published around 30-29 BCE. It contains many of the earliest poems of Quintus Horatius Flaccus, better known as Horace (65-8 BCE); some were written before his acquaintance with Maecenas, patron of the arts. Horace's Epodes.

  8. Horace’s Humanity. Like songs today, Horace’s odes were about anyone and anything that struck the poet’s fancy. Some, for instance, praise his patron, while others eviscerate noted women or men for their immoral and feckless behavior. His subjects appear innumerable, but they do share one thing—the poet’s desire to be known.

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