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Jan 5, 2018 · "The Strange Ones" is an assured movie that makes a number of big, bold choices with confidence (such as the card-shuffling editing, also by the directors, and the decision to break the story into neatly delineated halves that could be titled "The Incident" and "The Aftermath"). And throughout, there are little stylistic touches, like the very ...
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As the title suggests, it’s very strange. From the filmmaking team of Christopher Radcliff and Lauren Wolkstein, The Strange Ones is a puzzle of a film. You can solve it – either immediately or gradually. But you get the sense, sometimes, that every aspect of it is designed not to fit together quite right. It’s dreamlike in its construction and pre...
Sam (James Freedson-Jackson) has somehow ended up in the passenger seat of a car driven by Nick (Alex Pettyfer). That much, at least, you can figure out for yourself. Sam’s a teenager; slack-jawed not with awe or idiocy, but a kind of meanness – an anger, a frustration. Nick’s a rugged twenty-something; handsome and charismatic, but vaguely siniste...
The story is told nonlinearly, but the through-line is clear enough. It’s just that everything seems slightly off-kilter. From the start, it’s clear that the leads, who present themselves as brothers, have an uneasy, unnatural relationship. The environment they navigate is familiar, but eerily depopulated. Beautiful, too, in the way that dying thin...
It’s difficult to say. I admire a lot of what it attempts to accomplish, even if it isn’t entirely successful. I certainly felt something while watching it – a chill that settled across my shoulders and the back of my neck; a stirring that wound up into my stomach and coiled there like a reptile. I don’t know if that’s to the film’s credit or its d...
Less noteworthy, but then again the film asks less of them. Emily Althaus, from Orange is the New Black, plays a motel manager. Gene Jones plays an older man who runs a work camp for delinquent boys. The leads – again, particularly Freedson-Jackson – have an easy rapport with them. There’s probably a film to be made about every combination. That’s ...
Unsettling and unusual, but predictable and thin, The Strange Ones is worth watching mostly because it suggests the possibility of a fine filmmaking career. But it lingers, too, for whatever reason. It runs less than 90 minutes; as lean as a feature film gets. I hope the next one is longer.
Mar 17, 2017 · We spoke with the directors in Austin after the film’s world premiere about this six-year road to feature production, their ongoing collaborative process, how to present taboo subjects on screen, and more. “At film school, you get told that your shorts don't really matter, but they really do.”.
- Liz Nord
Jan 4, 2018 · The film’s titular “strange ones” are young Sam (played to perfection by James Freedson-Jackson, a star in the making who recently won the fest’s Jury Award for Breakthrough Performance) and the...
Jan 4, 2018 · “The Strange Ones” is a mysterious puzzle box of a film, anchored by a quietly mesmerizing performance by James Freedson-Jackson as a young boy on the road with an older companion.
The Strange Ones is a maddening, yet exceptionally-directed debut feature from acclaimed short filmmaking duo Lauren Wolkstein and Christopher Radcliff, adapted from their 2011 short the film of the same name.
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Dec 6, 2017 · With their first feature, the ambitious and exceptionally well-crafted The Strange Ones, directors Christopher Radcliff and Lauren Wolkstein demonstrate an undeniable mastery of mood. The ...
