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If you are choosing chords to harmonise a melody, look for places where the melody moves up or down by three notes, by step. Put the same notes in the bass, but in reverse order, and use a second inversion chord for the middle chord.
One of the most common passing chords is the diminished 7. Whenever you want to go to the 2nd, 3rd, 6th, and even 7th tones of the scale, try placing a diminished 7 chord a half step lower.
Passing chords are non-essential chords that occur briefly in a chord progression. Passing chords can be diatonic (from within the key) or chromatic (from outside of the key); however, all passing chords resolve to a diatonic chord.
Oct 8, 2019 · It's fairly easy to use first inversion chords for passing; root position chords are not too bad. Using second position chords (with the fifth in the bass) is a bit tricky to do on the fly. Seventh chords in third inversion (seventh in the bass) sound OK if the voice leading is good.
A good rule of thumb is to use passing chords to lead in to the target chord in the progression, so you’ll often use something that creates a sense of tension so the target chord can provide the release.
There are many types of passing chords or passing chord sequences that we can create and here on this page, we will be outlining some of the most common passing chord techniques so that you can start implementing these into your repertoire.
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The chord progressions we’re about to explore resolves to other chords in the key: the 2-chord, 3-chord, 4-chord, and more and the chords they’re made up of are passing chords that you can rely on to take you to these other scale tone chords in the key.
