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Almost all reggae singles still carry an instrumental version on the B-side and these are still used by the sound systems as a blank canvas for live singers and DJs. In 1986, the Japanese band Mute Beat would create dub music using live instruments such as trumpets rather than studio equipment, and became a precursor to club music.
May 13, 2024 · The history of dub music. Dub music grew out of reggae in the late 1960s and early 1970s. Songs in the style largely consisted of heavily-edited remixes of existing records, which were created by removing the vocal sections and placing even more focus on the rhythm section, or riddim. Novel audio effects like reverb and delay would then be ...
Jul 19, 2017 · Dub Music: A History of Jamaica’s Criminally Underappreciated Musical Artform ... Dub evolved from the instrumental versions that Kingston producers started issuing circa 1969 as B-sides to ...
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Feb 11, 2021 · News. The beginner's guide to: dub. By Future Music. ( Computer Music, emusician ) published 11 February 2021. A colossus of bassweight, dub is the reggae offshoot that inspired genres from hip-hop to jungle. (Image credit: David Corio/Redferns) Dub is a turning point in music history. Above all else it’s the moment that reggae got twisted ...
- Future Music
Notable Dub Musicians and Producers. One of the most important dub music producers is King Tubby. He is credited with inventing the remix and was a pioneer in the use of reverb and echo effects. His studio in Kingston, Jamaica, was a creative hub in the 1970s. Another legendary producer is Lee “Scratch” Perry.
Jan 23, 2024 · Hailing from sunny Jamaica in the ’60s, dub was more than a genre; it was a revolution of rhythms that permanently transformed how we get down on the dance floor. Peel back those bass-heavy layers, and you’re hit with an echo of genius. The wizards behind these vibes crafted something monumental—literally, they turned dials into wands to ...
Aug 24, 2018 · Even a two-track recording set-up enabled an engineer to record an instrumental “rhythm” on one track – leaving another free for a vocalist or solo instrumentalist. The rhythm track could then be kept for further recycling, resulting in the familiar reggae tradition of having the same backing track for dub versions and DJ toasting versions.
