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  1. Scott A. Gray of Exclaim! wrote, " The Art of the Steal is a good example of criminal misdirection though: by the time you realize these slick images are completely empty, your money will already be gone." [20] James Adams of The Globe and Mail called it a "lightweight, utterly implausible adventure".

  2. Sep 1, 2013 · The Art of the Steal is a good example of criminal misdirection though: by the time you realize these slick images are completely empty, your money will already be gone. (eOne)

  3. Jun 18, 2014 · 7 Videos. 17 Photos. Comedy Crime Thriller. Crunch Calhoun, a semi-reformed art thief, agrees to get his old gang back together to pull off one last heist. Director. Jonathan Sobol. Writer. Jonathan Sobol. Stars. Kurt Russell. Jay Baruchel. Katheryn Winnick. See production info at IMDbPro. STREAMING. RENT/BUY. from $3.99. Add to Watchlist.

    • (26K)
    • Comedy, Crime, Thriller
    • Jonathan Sobol
    • 2014-06-18
  4. Sep 4, 2023 · Art theft is a complex operation that requires exhaustive planning and meticulous reconnaissance. Contrary to popular belief, art thieves often have limited interest in the art they steal, their main motivation being the potential financial gains. The projected value of the stolen artwork dictates the effort and time invested in detailed planning.

  5. Jun 19, 2014 · The name of the game is art theft, pinching old masters, swiping objets d'art. It's a rather swinging 60s criminal activity to be engaged in, a blast from the larcenous past that conceivably ...

  6. Jun 21, 2021 · The technique of misdirection is enabled by the fact that when our attention is drawn one place, it is drawn away from everywhere else. A scene from 'Lupin.'. The Netflix series Lupin released its ...

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  8. creativehumanities.github.io › misdirectionMisdirection in Comedy

    Misdirection is a powerful comedic technique that involves leading the audience in one direction or setting up certain expectations, only to surprise or subvert those expectations with a twist or unexpected punchline. It plays with the audience's assumptions, creating a delightful contrast between what they anticipate and what actually unfolds.

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