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László Moholy-Nagy (/məˌhoʊliˈnɒdʒ/; Hungarian: [ˈlaːsloː ˈmohojnɒɟ]; born László Weisz; July 20, 1895 – November 24, 1946) was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into ...
- July 20, 1895
- November 24, 1946
- Childhood
- Early Training
- Mature Period
- Late Years and Death
- The Legacy of László Moholy-Nagy
László Moholy-Nagy was born in a small farming town in southern Hungary. His father abandoned the family when he was young, and his mother took László and his brothers to live with their grandmother. "I lived my childhood years in a terrible great quietness," he later wrote. Along with his mother and brothers, he left for Budapest in 1913 to study ...
In Budapest, encouraged by his friend and mentor the art critic Iván Hevesy, he began taking art classes, studying the Old Masters, especially Rembrandt, as well as the works of the Expressionists and Futurists. His style ranged widely in this early period. He painted landscapes with abstract elements and used bright colors typical of Hungarian fol...
From 1923 to 1928, Moholy-Nagy taught at the Bauhaus, an influential school of architecture and industrial design that provided students with groundwork in all of the visual arts. His recruitment to the faculty marked a turning point in the school's direction since he was given control of the school's crucial preliminary course, or Vorkurs. Rather ...
From 1937 to 1946, Moholy-Nagy dedicated himself to teaching as much as to his own work. He negotiated a five-year contract as director of the New Bauhaus in Chicago, but the school went bankrupt after its first year. While the faculty stood by him, Moholy-Nagy faced personal attacks by the Executive Committee, which instilled his distrust of indus...
Moholy-Nagy's influence on modern art is felt broadly in several disciplines. Along with the other emigres from the Bauhaus, he succeeded in instilling a modern aesthetic into modern design. His impact was felt most strongly by his students, but his use of modern materials and technology impressed other young designers, including Charles Eames, who...
- Hungarian-American
- July 20, 1895
- Borsod, Austria-Hungary
- November 24, 1946
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The arrival of Moholy-Nagy was a turning point in the development of art in the twentieth century. His ideas influenced the practice and attitude of fine art, photography, sculpture, architecture, and design education. With his combination of typography and photography in collage work, he is considered one of the founders of modern graphic ...
László Moholy-Nagy. László Moholy-Nagy ( / məˌhoʊliˈnɒdʒ /; Hungarian: [ˈlaːsloː ˈmoholiˌnɒɟ]; [2] born László Weisz; July 20, 1895 – November 24, 1946) was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration ...
László Moholy-Nagy was one of the Bauhaus’ most influential teachers; his photographic skills, as well as his writing on the subject, helped to secure the medium’s integral place in modern art. One of Moholy-Nagy’s most notable contributions was his extensive exploration–from 1922 through 1943–of the aesthetic possibilities of the ...
László Moholy-Nagy was a Hungarian artist best known for his experimental use of photography. Influenced by the work of Constructivist artists like Alexander Rodchenko, Moholy-Nagy’s Photograms are characteristic examples of his unorthodox approach. By placing objects onto photo-sensitive paper and exposing it to light, he created residual ...
Moholy-Nagy played a key role at the Bauhaus in Weimar and Dessau as a painter, graphic artist, teacher, and impassioned advocate of avant-garde photography. He made this image without a camera by placing ordinary objects, including his hand and a paintbrush, on a sheet of photosensitized paper and exposing it to light.
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