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  1. en.wikipedia.org › wiki › Le_SamouraïLe Samouraï - Wikipedia

    Le Samouraï (French pronunciation: [lə sa.mu.ʁa.i]; lit. ' The Samurai '), is a 1967 neo-noir crime thriller film written and directed by Jean-Pierre Melville and starring Alain Delon, François Périer, Nathalie Delon, and Cathy Rosier.

  2. The Samurai: Directed by Jean-Pierre Melville. With Alain Delon, François Périer, Nathalie Delon, Cathy Rosier. After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.

    • (57K)
    • Crime, Drama, Thriller
    • Jean-Pierre Melville
    • 1967-10-25
  3. Dec 27, 2021 · Scénario : Jean-Pierre Melville et Georges Pellegrin. Film noir. Date de sortie : 25 octobre 1967. C’est une histoire simple dont les protagonistes ont une démarche ambiguë, propre à de multiples interprétations. Le début montre un homme en train de voler une DS, puis passer dans un garage clandestin faire changer les plaques d ...

    • 105 min
    • 23.5K
    • Basseyhound
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  5. Jun 8, 1997 · The movie follows him with meticulous attention to detail while he establishes an alibi, kills a nightclub owner, survives a police lineup, is betrayed by those who hired him, and becomes the subject of a police manhunt that involves a cat-and-mouse chase through the Paris Metro.

  6. Le samouraï. In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.

    • Jef Costello
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  7. Watchlist. Hit man Jef Costello (Alain Delon) goes through an elaborate set of rituals before carrying out a hit on a nightclub owner. Always thorough and cool in his job, Costello is disconcerted...

    • (38)
    • Crime, Drama
    • PG
  8. Apr 9, 2024 · Courtesy of Janus Films. SPOILER ALERT: The following essay discusses key plot points, including the ending. Last weekend, I took in “Le Samouraï” for what must have been the sixth or seventh ...

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