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As Picasso remarked, 'Ouagadougou may not be Algiers, nonetheless Jacqueline has an African provenance'". [5] On 28 December 1955, he created Jacqueline with a scarf, a lino cut of Jacqueline as "Lola de Valence", which was a reference to Édouard Manet 's 1862 painting of the Spanish dancer.
Pablo Picasso, 1962, Femme Au Chien, oil on canvas. Estimated at $25,000,000-$30,000,000. Image Courtesy of Sotheby’s. Jacqueline Roque remained with Picasso until his death in 1973 and was the most featured woman across his artwork. The circumstances surrounding their meeting were not traditional, with Picasso becoming entangled with Roque ...
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Pablo Picasso Spanish. 1960. Not on view. Picasso first met Jacqueline Roque (1927–1986) in Vallauris in the summer of 1952. They were married in 1961. He recorded her distinctive features—high cheekbones, enormous eyes, and dark, straight hair—in hundreds of works in a variety of styles between 1954 and 1972.
It is likely that Picasso's series of paintings derived from Eugene Delacroix's The Women of Algiers was inspired by Roque's beauty; the artist commented that " Eugene Delacroix had already met Jacqueline." In 1955 he drew Jacqueline as Lola de Valence, a reference to a famous painting of the Spanish dancer by Edouard Manet.
Bust of a Seated Woman (Jacqueline Roque) is an oil painting by the Spanish artist Pablo Picasso, painted between 2 April and 10 May 1960. [1] It depicts Jacqueline Roque, a woman with whom he had started a relationship in 1954, after his divorce from Françoise Gilot, and who he would marry in 1961.
Jacqueline. When Jacqueline Roque (1927–1986) appeared in Picasso’s life in 1952 she instilled a new creativity in his work and her image soon became a constant presence in his production. Jacqueline, whom he married in 1961, did not only inspire some two hundred portraits (paintings, drawings, prints and sculptures) but her spirit imbued ...
December 28, 1962. Pablo Picasso. Spanish, 1881–1973. This portrait depicts Jacqueline Roque (1927–1986), Picasso’s second wife, whom he represented frequently. They were married from 1961 until Picasso’s death in 1973 and, during this time, Roque supported his art and ran his household.
