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The best places to look for gear usage are typically on the artist's social media, YouTube, live performance images , and interviews. To receive email updates when Peter Bernstein is seen with new gear follow the artist. Peter Bernstein's gear and equipment including the John Zeilder Archtop and Gibson L-5 Wes Montgomery.
May 3, 2016 · Peter Bernstein’s Gear. Peter Bernstein is a jazz guitarist from New York who has been active in the jazz scene since the 1990’s. He has played with great jazz musicians such as Lou Donaldson and Joshua Redman. Peter keeps a very straightforward jazz setup with just his guitar and an amp. This article contains Amazon Affiliate links.
Aug 4, 2012 · Peter Bernstein, who says he's not a gear head, was just looking for the right guitar when he met up with John Zeidler. The Philadelphia guitar maker offered to make one for Bernstein (who had previously owned a Gibson ES-175 and a Gibson L-5, among others) but told him there was a two-year wait. "I wasn't even sure because it was a big
Dec 7, 2020 · Solos by the guitarist and Fourtnier are clever and witty throughout, with Bernstein giving allusions to Grant Green on the burner “Harbor No Illusions”. He gives a gorgeous solo intro to a poignant “We’ll Be Together Again” while he and Fortner produce lovely fragrances on “Empty Streets”. Fortner is hip and crisp for his intro ...
Nov 3, 2016 · Full Video athttps://www.mymusicmasterclass.com/premiumvideos/peter-bernstein-guitar-masterclass-1/Description: In part one (1 of 2) of this jazz guitar mast...
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May 5, 2022 · Introducing a new series from Jazz Guitar Today about Pedals. Join us to hear what jazz guitarists throughout the world have to say. First up, Peter Bernstein. In this video Podcast, JGT’s Bob Bakert talks to jazz guitarist Peter Bernstein about using pedals – or not using pedals. Subscribe to Jazz Guitar Today – it’s FREE!
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Dec 10, 2020 · Smoke Sessions Records: Guitarist Peter Bernstein emerges from quarantine. with a new album, What Comes Next. Featuring Sullivan Fortner, Peter Washington, and Joe Farnsworth. The opportunity arose when New York’s legendary Sear Sound studio reached out to Smoke Sessions about the possibility of attempting a responsible recording date.
