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  1. This chapter introduces the phrase, the sentence, the period, the repeated phrase, compound forms, and unique phrase-level forms. A phrase is a relatively complete thought that exhibits trajectory toward a goal. In tonal classical music, that goal is almost always one of the traditional cadence types, but in other kinds of music, that goal may ...

  2. While not exclusively a theoretical topic, music theory provides tools for composing original music. This includes coming up with melodic, harmonic, and rhythmic material. Here are definitions for some key music composition terms:

  3. What follows is a fairly long list of musical definitions and descriptions gleaned primarily from multiple Internet searches (utilizing available translation services). I also used a few book sources, mostly for purposes of corroboration.

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  4. A period is one type of theme, like the sentence, common to the Classical style. The period is generally eight measures long and contains two four-measure phrases, called antecedent and consequent. The period is characterized by balance and symmetry.

  5. Feb 26, 2016 · Music does this when it is composed or improvised with effective use of antecedent phrases paired with consequent ones. What do I mean by antecedent and consequent phrases? Antecedent phrases are inconclusive. At the end of an antecedent phrase, the music sounds interrupted and never finished; it leaves us unsatisfied demanding more.

  6. May 22, 2019 · My understanding of the theory is a period sets up tension in the antecedent by cadencing somewhere that isn't the tonic then later resolves that tension in the consequent by a cadence confirming the tonic. The idea is to create structural dissonance.

  7. An antecedent + continuation in Beethoven, Piano Sonata Op. 13, II, mm. 1–8 ( 0:00–0:32 ). A hybrid form occurs when the beginning of one archetype is paired with the ending from another archetype. In Example 1, an antecedent is followed by a continuation.

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