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  1. Nov 21, 2011 · René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist. He became well known for creating a number of witty and thought-provoking images.

  2. Clouds, pipes, bowler hats, and green apples: these remain some of the most immediately recognizable icons of René Magritte, the Belgian painter and well-known Surrealist.

  3. Among Magritte's works are a number of surrealist versions of other famous paintings, such as Perspective I and Perspective II, which are copies of David's Portrait of Madame Récamier and Manet's The Balcony, respectively, but with the human subjects replaced by coffins.

  4. In 1946, Magritte signed a manifesto called Surrealism in Full Sunlight, and broke with Breton. This phase was followed by Magritte's brief experiment with an intentionally provocative "savage" style he called "vache" ("cow") that was characterized by vulgar subjects, crude coloring, and is generally regarded as parodying the Fauves .

    • Belgian
    • November 21, 1898
    • Lessines, Belgium
    • August 15, 1967
    • rene magritte paintings surrealism1
    • rene magritte paintings surrealism2
    • rene magritte paintings surrealism3
    • rene magritte paintings surrealism4
  5. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive.

  6. René Magritte is one of the most celebrated figures of the 20th-century Surrealist movement, alongside André Breton and Salvador Dalí. In the 1920s, the Belgium painter joined a group of young artists who wanted to create work that celebrated the subconscious mind and the world of dreams.

  7. www.renemagritte.org › rene-magritte-paintingsRene Magritte Paintings

    Masterpieces of Rene Magritte. Young Girl Eating a Bird, 1927; The Lovers I, 1928; The Lovers II, 1928; Attempting the Impossible, 1928; The False Mirror, 1928; The Treachery of Images, 1929; The Annunciation, 1930; The Human Condition, 1933; Elective Affinities, 1933; The Red Model, 1934; The Collective Invention, 1934; La Clairvoyance, 1936 ...

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