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Identikit (also known as The Driver's Seat) is a 1974 Italian drama film directed by Giuseppe Patroni Griffi. Based on the 1970 novella The Driver's Seat by Muriel Spark , it is a psychological drama starring Elizabeth Taylor and Ian Bannen , and featuring Andy Warhol .
Oct 10, 1975 · The Driver's Seat: Directed by Giuseppe Patroni Griffi. With Elizabeth Taylor, Ian Bannen, Guido Mannari, Mona Washbourne. A mentally-disturbed spinster experiences a series of bizarre encounters in Rome as she searches for someone she feels she'll know--when she finds him.
- (1K)
- Drama, Mystery
- Giuseppe Patroni Griffi
- 1975-10-10
May 17, 2024 · This is the premise for The Driver’s Seat (alternatively known as Identikit), a pulpy Italian psychological drama in which director Giuseppe Patroni Griffi adapts the novella of the same name by acclaimed author Muriel Spark, plunging himself (and the audience by extension) into a world of paranoia and intrigue, allowing us to spend some time ...
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Underground cult classic. Falconeer 21 November 2006. This strange little film has a small but devoted cult following, due to it's haunting atmosphere, obscure storyline, and a hypnotic performance by the Great Elizabeth Taylor. She stars as Lise, a spinster who makes a decision to go on a holiday, a trip that will be her last, to Rome.
Based on the novella The Driver's Seat by Muriel Spark, it is a psychological drama starring Elizabeth Taylor, Ian Bannen and featuring Andy Warhol.
- (5)
- Guiseppe Patroni Griffi
- R
- Elizabeth Taylor
Jul 11, 2014 · On July 8, Light Industry held a rare screening of Giuseppe Patroni Griffi’s 1974 psychological drama, The Driver’s Seat. Based on the critically under-appreciated 1970 Muriel Spark novella by the same name, the film follows a deranged Englishwoman named Lise (Elizabeth Taylor) as she searches for an elusive man to murder her in Rome.
Jul 3, 2023 · For many years, The Driver's Seat was an almost-lost film in Elizabeth Taylor's filmography, unavailable for many years other than as bootleg videotape rips. Now restored, it boasts one of Taylor's boldest performances in a faithful adaptation of Muriel Spark's novella.
