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He wrote several additional books on piano technique that brought him international recognition, and in 1912 he published Musical Interpretation, a widely read book that analyzed the principles of effective musicianship. However, whilst acknowledging its importance, a later interpreter of Matthay's writing criticized its lack of clarity:
The Visible and Invisible in Pianoforte Technique Alt ernative. Title Composer Matthay, Tobias: I-Catalogue Number I-Cat. No. None [force assignment] First Pub lication. 1932 Language English Composer Time Period Comp. Period: Romantic: Piece Style Early 20th century
Tobias Matthay (1858-1945) TOBIAS MATTHAY is one of the most controversial figures in twentieth-century piano pedagogy. Glorified by some and villified by others, he left copious theoretical writings which today are little studied by serious pianists and teachers. In 1922, Frederick Corder, a composition professor at London's Royal Academy of ...
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In 1923, Tobias Matthay distilled the content of his many writings into nine fundamental steps which he claimed formed the basis of his teachings. He believed that the physical conditions enabling effective finger technique were dependent on rotational exertions of the forearm, and he felt that these sensations should be grasped by the student ...
Mar 26, 2024 · Tobias Matthay (born Feb. 19, 1858, London, Eng.—died Dec. 15, 1945, High Marley, Surrey) was an English pianist, teacher, and composer noted for his detailed examination of the problems of piano technique, the interpretation of music, and the psychology of teaching.
- The Editors of Encyclopaedia Britannica
This article involves the examination of English composer York Bowen’s (1884–1961) Twelve Studies for the Pianoforte (1919) contextualised through the teachings of the renowned English piano pedagogue Tobias Matthay (1858–1945).1 The material presented here consists of findings that I arrived at through my preparation of Bowen’s studies for perf...
